Japanese Woodblock Prints (1800 - 1868)
By the 19th century, Japanese woodblock prints achieved extraordinary popularity. While the shogunate issued a battery of censorship reforms throughout the 1800s, artists ignored and evaded restrictions with images of indulgent beauties and vibrant kabuki actors. As constraints tightened in the 1840s, bijin-ga (pictures of beautiful women) became earthier in prints by Eizan and Eisen, while kabuki actors persevered in the work of Kunisada (aka Toyokuni III). During this period, ukiyo-e artists also added landscapes, warriors, ghosts and scenes of everyday life to their oeuvre. Artists such as Hokusai and Hiroshige indulged a national wanderlust through Meisho-e or “famous place pictures,” while Kuniyoshi championed musha-e, a genre of warrior and legendary pictures.
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Hiroshige
Hoki Province, Ono, Distant View of Mount Daisen
JPR-211278
Hiroshige
Shinano Province, The Moon Reflected in the Sarashina Paddy-fields, Mount Kyodai
JP-209874
Hiroshige
Sanuki Province, Distant View of Mount Zozu
JPR-211122
Hiroshige
Musashi Province, Sumida River, Snowy Morning
JP-209865
Hiroshige
Tsushima Province, A Fine Evening on the Coast
JP-209918
Hiroshige
Shimotsuke Province, Mount Nikko, Urami Waterfall
JP-209876
Hiroshige
Musashi Province, Sumida River, Snowy Morning
JP-209953
Hiroshige
Shima Province, Mount Hiyori and Toba Harbor
JPR-210045
Hiroshige
Shimotsuke Province, Mount Nikko, Urami Waterfall
JP-210017
Hiroshige
Shinano Province, The Moon Reflected in the Sarashina Paddy-fields, Mount Kyodai
JP-210016
Hiroshige
Dewa Province, Mogami River, A Perspective View of Mount Gassan
JP-209977