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A Closer Look: Yorimasa and the Nue
From vengeful spirits to mischievous monsters, ukiyo-e teem with supernatural beings and spine-chilling tales. With Halloween upon us, we turn to one such tale–the story of Yorimasa and the nue–as told by two masters of the fearsome and fantastic, Kuniyoshi and Yoshitoshi. The nue is a chimeral monster with the head of a monkey, the body of a badger (or tanuki), the legs of a tiger, and a hissing snake as a tail, depending on the source.
Ukiyo-e
A Brief Introduction to Ukiyo-e
While the mention of Japanese woodblock prints may call to mind lavish courtesans and dynamic actors, the roots of the medium can be traced to the 8th century. At this time, woodblock printmaking traveled east with Buddhism through China and Korea, to Japan. In 764, Empress Koken eagerly embraced this medium and commissioned the Hyakumanto Darani, or the “One Million Pagodas and Dharani Prayers.” Each wooden pagoda housed a dainty Buddhist sutra, printed as a declaration of devotion and a plea for atonement. The medium largely retained this religious association and spiritual function until the Edo period (1615-1868).
A Closer Look: Yorimasa and the Nue
From vengeful spirits to mischievous monsters, ukiyo-e teem with supernatural beings and spine-chilling tales. With Halloween upon us, we turn to one such tale–the story of Yorimasa and the nue–as told by two masters of the fearsome and fantastic, Kuniyoshi and Yoshitoshi. The nue is a chimeral monster with the head of a monkey, the body of a badger (or tanuki), the legs of a tiger, and a hissing snake as a tail, depending on the source.
Past and Present Convene on the Banks of Tokyo’s Koto Ward
As Tokyo prepared for a summer of international sporting events, the city completed an extensive construction of stadiums and venues around the metropolis to house the competitions. Bordered by the Sumida River to the west and Arakawa River to the east, the Koto Ward is home to the majority of the event locations, given its proximity to the Tokyo Bay and abundance of reclaimed land. The 45 districts of Koto-ku also encompass an area of the city rich in history, where many neighborhoods and landmarks date back to the Edo Period. Documented as one of the oldest hanamachi (geisha entertainment quarters) in Japan, the district of Fukagawa served as the backdrop for many notable ukiyo-e designs. In the print Fukagawa Susaki and Jumantsubo, Hiroshige presents an aerial view of the marshlands, looking northeast on a winter day. In View of the Sangen Teahouse in Snow at Fukagawa Hachiman Shrine in Toto (Edo), Kunisada captures a local beauty trudging through the snow.
An Artist and His City: Urban Greenspace
In this installment of the Artist and His City series we'll step outside into one of Edo's urban greenspaces through this print Moon Pine, Ueno. This aged pine earned this name not only for the "full moon" created by the circled but also for the other phases of the moon visible in its form.
A Closer Look: Courtesan Wakaume From the Tamaya
Kitagawa Utamaro (1753-1806) was a true master of ukiyo-e. From his images of bugs to his renowned portraits of women, his works exude a subtle and elegant beauty. This Asia Week, Ronin Gallery is pleased to feature Utamaro's masterpiece, Courtesan Wakaume from the Tamaya in Edomachi 1-chome (c. 1793-1794).
Spring Showers
Rainy days envelop the senses, from sparkling reflections in the puddles and the steady drum of rain out the window, to the crisp smell of the air just before a storm and the sensation of cool mist against skin. As spring promises brings a change in the weather, we invite you to enjoy the beauty of rain from the warmth and comfort of your home.
A Closer Look: Moon of the Lonely House
From vengeful ghosts to mythical creatures, Japanese folklore teems with spine-chilling tales of the supernatural. Yet, sometimes it's the horrors enacted by humans that prove to be the most terrifying. This Halloween, we'll take a look at one such story through Yoshitoshi's Moon of the Lonely House.
Yoshitoshi's Masterpiece: The Flute Player
Yoshitoshi's Fujiwara no Yasumasa Plays the Flute by Moonlight is considered to be one of Yoshitoshi's definitive masterpieces and has its own interesting history. From the 1880s through today, the design has entranced collectors with its portrayal of the tale of a moonlit evening, banditry, and the power of beauty. We'll take a brief look into the history and variant states of this famous design.
The Tale of the 47 Ronin
The celebrated tale of the 47 loyal retainers stems from the historical event known as the Ako incident (1701-1704). Continuously illustrated, adapted, parodied, and performed since its occurrence at turn of the 18th century, this tale of loyalty provided irresistible inspiration for ukiyo-e artists.
A Closer Look: Hokusai's Great Wave
No single work of Japanese art is better known than Hokusai's Under the Wave off Kanagawa, or, as it is widely known, the Great Wave.Published as part of the series Thirty-Six Views of Mount Fuji (c.1830-1832), today this design has become embedded in popular culture, appearing everywhere from phone cases and emojis, to murals and political cartoons.
The Tale of the Nine-Tailed Fox
Popular characters in Japanese myths and folklore, foxes, or kitsune, are considered intelligent, magical and associated with the Shinto spirit Inari. The enduring tale of Tamamo-no-Mae and the Emperor Konoe serves as a cautionary tale about these mystical animals.
The Rise and Resurgence of Meisho-e
From brilliant crimson leaves of the fall to the snow-tipped peak of Mount Fuji, the natural beauty of Japan enchants its visitors. During the 19th century, ukiyo-e artists captured this beauty in spirit and form through meisho-e. By the 20th century, the genre found a distinctly modern voice and new masters through the Shin Hanga movement.