Japanese Woodblock Prints (1800 - 1868)
By the 19th century, Japanese woodblock prints achieved extraordinary popularity. While the shogunate issued a battery of censorship reforms throughout the 1800s, artists ignored and evaded restrictions with images of indulgent beauties and vibrant kabuki actors. As constraints tightened in the 1840s, bijin-ga (pictures of beautiful women) became earthier in prints by Eizan and Eisen, while kabuki actors persevered in the work of Kunisada (aka Toyokuni III). During this period, ukiyo-e artists also added landscapes, warriors, ghosts and scenes of everyday life to their oeuvre. Artists such as Hokusai and Hiroshige indulged a national wanderlust through Meisho-e or “famous place pictures,” while Kuniyoshi championed musha-e, a genre of warrior and legendary pictures.
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1251 Products
Toyokuni III
Rabbit: Taira Taro Yoshikado and Iga no Jutaro
JPR-209725
Kuniyoshi
The Battle at the Eastern Temple, Rokuhara
JPR-209044
Toyokuni III
Chapter Miotsukushi: Channel Buoys, Bijin Holding a Mirror
JP3-44820
Toyokuni III
Chapter Sekiya: The Gate House, Oiran and Palanquin
JP3-44829
Kunichika
Kabuki Actor Nakamura Shikan IV as Ishikawa Goemon
JPR-209732
Toyokuni III
Tsuchinoe: Jiraiya and Arashi Yuminosuke
JPR-209728
Kunichika
Springtime Haze at the Edo Theater: Kabuki Actors Bando Hikosaburo (R) Nakamura Shikan (C), and Bando Mitsugoro (L)
JPR-209711
Kuniyoshi
The Last Stand of the Kusunoki Clan at Shijo Nawate
JP-209672
Kunisada II (aka Kunimasa III, Toyokuni IV)
Kabuki Actors Bando Mitsugoro VI as Gosuke's Wife (Nyobo) Odai, Ichimura Kakitsu IV as the Otokodate Nozarashi Gosuke, and Sawamura Tossho II in a Female Role
JPR-209652
Shigenobu
Manju-dayu of the Naka-Ogiya as Han Shan (Kanzan)
JPR-209649