Meiji Period Prints (1868-1912)
Meiji-period woodblock prints reflect an era of change. In 1853, the arrival of Commodore Perry’s black ships brought over 250 years of Japanese isolation to an abrupt end. The following year, as Japan engaged in international trade, Yokohama-e (Yokohama pictures) captured an influx of unfamiliar peoples, places and things entering Japan through Yokohama harbor. By 1868, the Imperial line attained control of the country under Emperor Meiji, terminating the feudal rule of the Tokugawa Shogunate and dissipating the culture of the floating world. Under the emperor, national modernization progressed rapidly. From Western-style clothes and pastimes, to exciting new inventions from overseas, Japan absorbed the massive influx of the foreign and developed a distinctly Japanese modern identity. While photography and lithography gained popularity at this time, the woodblock print continued to serve as a powerful medium. Meiji period artists made sense of a transitioning world with a familiar medium.
232 Products
Yoshitoshi
An Iron Cauldron and the Moon at Night: Kofuna no Gengo and Koshi Hanzo
JP-210413
Yoshitoshi
The Moon's Inner Vision: Taira no Tomoume
JP-210407
Yoshitoshi
Contents Page: One Hundred Views of the Moon
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Kyosai
The Husband's Beloved Red Hat, Shaking Like the Ghost of the Potato Jelly
JP-208817
Kyosai
Flower on a Withered Tree, Strolling Like a Dog on the River
JP-208823
Kyosai
Oxen Prefer the Company of Oxen, Botange Shohaku, The Lovers of the Tanabata Festival, Sugawara Michizane and Kodomaru
JP-208822
Kyosai
Even Pigeons Roost at Different Heights According to Seniority; Even Crows Show Filial Piety When the Young Feed Their Parents
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Kyosai
Flowers Sprouting from Dried Beans, Getting a Headache from Worrying about Your Neighbor's Digestion
JP-208820