Meiji Period Prints (1868-1912)
Meiji-period woodblock prints reflect an era of change. In 1853, the arrival of Commodore Perry’s black ships brought over 250 years of Japanese isolation to an abrupt end. The following year, as Japan engaged in international trade, Yokohama-e (Yokohama pictures) captured an influx of unfamiliar peoples, places and things entering Japan through Yokohama harbor. By 1868, the Imperial line attained control of the country under Emperor Meiji, terminating the feudal rule of the Tokugawa Shogunate and dissipating the culture of the floating world. Under the emperor, national modernization progressed rapidly. From Western-style clothes and pastimes, to exciting new inventions from overseas, Japan absorbed the massive influx of the foreign and developed a distinctly Japanese modern identity. While photography and lithography gained popularity at this time, the woodblock print continued to serve as a powerful medium. Meiji period artists made sense of a transitioning world with a familiar medium.
55 Products
Gekko
Chapter 54: The Floating Bridge of Dreams (Yume no Ukihashi))
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Yoshitoshi
An Iron Cauldron and the Moon at Night: Kofuna no Gengo and Koshi Hanzo
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Miyagawa, Shuntei
Title Page: Children's Manners and Customs
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Yoshitoshi
Children Blowing up Hotei's Belly and Painting It Like Candy
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Kyosai
Even Pigeons Roost at Different Heights According to Seniority; Even Crows Show Filial Piety When the Young Feed Their Parents
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Kyosai
The Fruit of the Tree Is Known from Its Flowers, Fighting Like Dogs and Monkeys
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Kyosai
Hateful Things Are Feared by the World, A Crow Imitating a Cormorant
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Kyosai
A Day Late for the Festival: No Curse from the God You Don't Touch
JP-208816