Meiji Period Prints (1868-1912)
Meiji-period woodblock prints reflect an era of change. In 1853, the arrival of Commodore Perry’s black ships brought over 250 years of Japanese isolation to an abrupt end. The following year, as Japan engaged in international trade, Yokohama-e (Yokohama pictures) captured an influx of unfamiliar peoples, places and things entering Japan through Yokohama harbor. By 1868, the Imperial line attained control of the country under Emperor Meiji, terminating the feudal rule of the Tokugawa Shogunate and dissipating the culture of the floating world. Under the emperor, national modernization progressed rapidly. From Western-style clothes and pastimes, to exciting new inventions from overseas, Japan absorbed the massive influx of the foreign and developed a distinctly Japanese modern identity. While photography and lithography gained popularity at this time, the woodblock print continued to serve as a powerful medium. Meiji period artists made sense of a transitioning world with a familiar medium.
20 Products
Shimizu, Seifu
Unai no Tomo (A Child's Friends), Volume 2
JPR-211117
Yoshitoshi
Sun Wukong Creating an Army from His Fur
JPR-209577
Yoshitoshi
Soga Tokimune Rides Bareback at a Gallop to Oiso
JPR-209576
Yoshitoshi
Okame Laughing at the Silhouette of a Matsutake Mushroom
JPR-209573
Kyosai
Flower on a Withered Tree, Strolling Like a Dog on the River
JP-208823
Kyosai
Oxen Prefer the Company of Oxen, Botange Shohaku, The Lovers of the Tanabata Festival, Sugawara Michizane and Kodomaru
JP-208822
Kyosai
Hateful Things Are Feared by the World, A Crow Imitating a Cormorant
JP-208818
Yoshitoshi
Sun Wukong Creating an Army from His Fur
JPR-209641