Yoshitoshi (1839 - 1892 )

Considered one of the last great masters of ukiyo-e, Yoshitoshi Tsukioka's woodblock prints are known for their eerie and imaginative nature. Yoshitoshi worked in a Japan undergoing rapid change, straddling the domains of the old, feudal system of the Edo period and the new, modern world of the Meiji period. His powerful imagination and originality imbued his prints with a sensitivity and honesty rarely seen in ukiyo-e of this time period. From ghost stories to folktales, violent clashes to the gentle glow of the moon, Yoshitoshi offers not only compositional and technical brilliance, but also unfettered passion.

Yoshitoshi was born in Edo on April 30th, 1839. As a young boy, he showed remarkable artistic talent and fierce interest in classical Japanese literature and history. He began to study under the renowned Kuniyoshi at the age of 11. Kuniyoshi, a leading woodblock artist of the day, developed a close relationship with his pupil and gave him the name Yoshitoshi. Yoshitoshi published his first print to modest success in 1853, a triptych of a famous clash between the Taira and Minamoto clans. That same year, Commodore Perry's "black ships" docked in Edo Bay.

In the early 1860s, Yoshitoshi's prints focused on kabuki subjects and historical scenes, as well as foreigners. As the 19th century progressed, ukiyo-e felt the influence of the modern era, particularly through the introduction of synthetic dyes. Yoshitoshi learned to use these colors with subtlety and skill, holding his works to the highest printing standards throughout his career. Following Kuniyoshi's death in 1861, Yoshitoshi struggled as he set off on his own, taking Toshikage as his first student in 1863. As political instability grew in Japan during the late 1860s, he entered his "bloody period," an era marked by images of graphic violence and extravagant brutality.

 

As Meiji-period modernization pushed ahead, Yoshitoshi Tsukioka suffered a nervous breakdown in 1872, living in poverty and ceasing all artistic production. A year later, he resumed work; adopting the artist name Taiso, meaning "Great Resurrection," and fulfilling his creative potential. While Yoshitoshi continued to present battle scenes, he turned his attention to more recent incidents and slowly shifted from overt violence to the psychological struggles of individuals. In 1885, he began one of his most acclaimed series, One Hundred Views of the Moon (1885-1892). During the last decade of his life, Yoshitoshi designed numerous illustrated books and several other popular series including Thirty-two Aspects of Women (1888) and Thirty-six Ghosts and Strange Apparitions. (1889-1892). In the spring of 1892, he suffered his final mental breakdown and was committed to the Sugamo Asylum. On the 9th of June 1892, he died of a cerebral hemorrhage at the age of 53.

Meiji Period Prints (1868-1912)

269 Products

Filtered By: Yoshitoshi
Kama in Moonlight

Yoshitoshi

Kama in Moonlight

JPR-104410

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Raiko Enters the Treasure Mountain

Yoshitoshi

Raiko Enters the Treasure Mountain

JPR-209639

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Water for the Thunder God's Bath

Yoshitoshi

Water for the Thunder God's Bath

JPR-209636

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The Dancing Pot at Ninna-ji

Yoshitoshi

The Dancing Pot at Ninna-ji

JPR-209582

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The Painter Okyo and the Ghost

Yoshitoshi

The Painter Okyo and the Ghost

JPR-209569

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The Foxfires in Nijushiko

Yoshitoshi

The Foxfires in Nijushiko

JPR-209300

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The Demon's Arm

Yoshitoshi

The Demon's Arm

JPR-209299

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The Ghost of Okiku at Sarayashiki

Yoshitoshi

The Ghost of Okiku at Sarayashiki

JPR-209298

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The Ghost of Wicked Genta Yoshihira Attacking Nanba Jiro at Nunobiki Waterfall

Yoshitoshi

The Ghost of Wicked Genta Yoshihira Attacking Nanba Jiro at Nunobiki Waterfall

JPR-209297

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The Lucky Tea Kettle of Morin-ji Temple

Yoshitoshi

The Lucky Tea Kettle of Morin-ji Temple

JPR-209296

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The Ghost Seigen Haunting Sakurahime

Yoshitoshi

The Ghost Seigen Haunting Sakurahime

JP-208274

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Jigoku-Dayu in Meditation with Skeletons

Yoshitoshi

Jigoku-Dayu in Meditation with Skeletons

JPR1-25005

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Heron Maiden

Yoshitoshi

Heron Maiden

JPR1-64774

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Oniwaka Observing the Great Carp

Yoshitoshi

Oniwaka Observing the Great Carp

JPR-111474

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Sadanobu Threatening a Demon in the Palace at Night

Yoshitoshi

Sadanobu Threatening a Demon in the Palace at Night

JPR-111466

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Fujiwara no Hidesato Shooting the Centipede at the Dragon King's Palace

Yoshitoshi

Fujiwara no Hidesato Shooting the Centipede at the Dragon King's Palace

JPR-111494

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Kiyohime Changing into a Serpent at the Hidaka River

Yoshitoshi

Kiyohime Changing into a Serpent at the Hidaka River

JPR1-75018

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Fudo Myoo Threatens Yuten

Yoshitoshi

Fudo Myoo Threatens Yuten

JP111297

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I no Hayata Killing the Nue at the Imperial Palace

Yoshitoshi

I no Hayata Killing the Nue at the Imperial Palace

JP-209003

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Children Blowing up Hotei's Belly and Painting It Like Candy

Yoshitoshi

Children Blowing up Hotei's Belly and Painting It Like Candy

JPR-209640

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Sorori Shinzaemon and Hideyoshi

Yoshitoshi

Sorori Shinzaemon and Hideyoshi

JPR-209638

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Jo and Uba at Takasago

Yoshitoshi

Jo and Uba at Takasago

JPR-209637

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Shiei Riding the Carp over the Sea

Yoshitoshi

Shiei Riding the Carp over the Sea

JPR-209634

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Act Four from Chushingura

Yoshitoshi

Act Four from Chushingura

JPR-209595

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