Gakutei (1786 - 1868 )

Born in Edo as Harunobu Sugawara, Gakutei Yashima studied woodblock printmaking under Shuei and Hokkei. He moved to Osaka in the 1830s, where he designed landscape studies of his new home with a delicate and decorative style likely influenced by Hokusai. In addition to printmaking, he wrote kyoka (comic poems), often illustrating these verses in his prints. While a talented woodblock artist, Gakutei was also known throughout Japan as a writer. Gakutei translated and illustrated the 16th century Chinese novel Journey to the West.

Gakutei Yashima’s oeuvre consists primarily of surimono. These deluxe, limited-edition prints blend the rich visual imagery of ukiyo-e with the ethereal art of poetry. These works were privately commissioned by poetry societies and prosperous patrons of the arts, often in celebration of the New Year, poetry competitions, and other special occasions. Most surimono were printed with a light verse or clever aphorism and employed the most lavish printing techniques. These marvels of woodblock printing employed the finest handmade papers with generous use of gold, silver, bronze, mica, embossing and lacquer-like effect.

Meiji Period Prints (1868-1912)

Meiji-period woodblock prints reflect an era of change. In 1853, the arrival of Commodore Perry’s black ships brought over 250 years of Japanese isolation to an abrupt end. The following year, as Japan engaged in international trade, Yokohama-e (Yokohama pictures) captured an influx of unfamiliar peoples, places and things entering Japan through Yokohama harbor. By 1868, the Imperial line attained control of the country under Emperor Meiji, terminating the feudal rule of the Tokugawa Shogunate and dissipating the culture of the floating world. Under the emperor, national modernization progressed rapidly. From Western-style clothes and pastimes, to exciting new inventions from overseas, Japan absorbed the massive influx of the foreign and developed a distinctly Japanese modern identity. While photography and lithography gained popularity at this time, the woodblock print continued to serve as a powerful medium. Meiji period artists made sense of a transitioning world with a familiar medium.

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Artist

  • Bairei
  • Beisaku
  • Biho
  • Chikanobu
  • Chikuseki
  • Eizan
  • Gakutei
  • Gekko
  • Ginko
  • Hiroshige
  • Hiroshige II
  • Hiroshige III
  • Hoitsu
  • Hokkei
  • Hokusai
  • Ikeda, Terukata
  • Ikuhide
  • Keinen
  • Kiyochika
  • Kogyo
  • Koson
  • Koun
  • Kunichika
  • Kunisada
  • Kunisada III
  • Kuniteru
  • Kunitoshi
  • Kuniyoshi
  • Kyosai
  • Miyagawa, Shuntei
  • Nobukazu
  • Rinsai
  • Sadahide
  • Sadanobu
  • Saigetsu
  • Seiko
  • Shimazaki, Ryuu
  • Shimizu, Seifu
  • Shinsai
  • Sugakudo
  • Suzuki, Kinsen
  • Tadakiyo
  • Takehisa, Yumeji
  • Toshiaki
  • Toshihide
  • Toshikage
  • Toshikata
  • Toshimasa
  • Toshimine
  • Toyohiro
  • Yasuda, Shodo
  • Yoshifuji
  • Yoshiiku
  • Yoshikage II
  • Yoshimitsu
  • Yoshimori
  • Yoshitora
  • Yoshitoshi
  • Yoshitsuya II
  • Zeshin
  • Hasegawa, Kannosuke (Chikuyo)
  • Kaburagi, Kiyokata
  • Kajita, Hanko
  • Kokunimasa (aka Kunimasa V)
  • Mori, Shunkei
  • Watanabe, Seitei
  • Yukawa, Shodo
  • Mishima, Shoso
  • Suzuki, Kason
  • Takeuchi, Keishu
  • Fujikawa, Tamenobu
  • Tanigami, Konan
  • Terasaki, Kogyo
  • Tomioka, Eisen
  • Unsigned / Unknown Artist
  • Yamanaka, Kodo
  • Yushin, Ayaoka

Subject

  • Beauties (bijin-ga)
  • Surimono

Period

  • 1868 - 1912 (Meiji)

Medium

  • Woodblock Print

Size

  • Small (ie. Chuban)

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Filtered By: Gakutei
Chinese Woman Looking at Spider (Meiji Edition)

Gakutei

Chinese Woman Looking at Spider (Meiji Edition)

JP110760

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