Hoitsu (1761 - 1828 )
Born Tadamoto Sakai, the son of the second Lord of Sakai of Himeji castle in Harima Province, he worked primarily as a Rinpa painter. He received a highly varied art education, beginning his training in Kyoto in the Kano school. He then turned to ukiyo-e and the tutelage of Toyoharu Utagawa, followed by Maruyama painting with Nangaku Watanabe, before joining the Nanga school and So Shiseki. Under the recommendation of Buncho Tani, Hoitsu finally settled in the Rinpa school. In 1797, he became a Buddhist priest, devoting two decades to his painting and the study of the life and works of Korin. As the Sakai family had financially supported Korin for a period of time, they had an expansive collection of his work. During this time, Hoitsu completed an illustrated book of his own designs, Oson Gafu (1817), as well as two influential books recreating the painting of Korin (Korin Hyakuzu) (1815) and Kenzan (Kenzan Iboku Gafu) (1823) as woodblock prints. Hoitsu is noted for his careful balance of decorative style and elegant refinement of color and line. His prints can be found in prominent collections worldwide, such as the British Museum, Victoria & Albert Museum, Metropolitan Museum of Art, New York and Tokyo National Museum.
Ukiyo-e | Japanese Woodblock Prints | Ronin Gallery
Explore the largest collection of 17th-19th century original Japanese woodblock prints in the United States at Ronin Gallery. Ukiyo-e, or “pictures of the floating world,” captured the exciting urban popular culture of the Edo period (1603-1868), promoting its beauty, fashions and heroes. While the Buddhist term ukiyo originally emphasized the transitory nature of human life, during the 17th century the term gradually shifted its reference to the ephemeral world of pleasure and indulgence. From 17th century Buddhist woodcuts through 19th century Japanese ukiyo-e print masters, enter a vibrant world of enchanting landscapes and sublime nature studies by Hokusai and Hiroshige, dramatic kabuki actors by Sharaku and Toyokuni, fierce samurai by Kuniyoshi, and elegant beauties by Utamaro. With the ravages of time, war and fire, today few of these precious original Japanese woodblock prints survive outside of museums and important private collections.