Okuyama, Gihachiro (1907 - 1981 )

Born in Yamagata prefecture, Gihachiro Okuyama was an active woodblock print artist of both the Sosaku Hanga, or “creative print,” and the Shin Hanga, or “new print,” movement. Okuyama began his formal artistic study with Gajin Kosaka in 1923, as well as with Kendo Ishii, and began regularly exhibiting prints with Japan Creative Print Association in 1927. Between 1928 and 1931, Okuyama produced around 40 poster designs for the watercolor printer Hidekichi Uchida, as well as woodblock-printed commercial advertisements for companies such as the Japan Wool Company and Nikka Whiskey. Okuyama founded the Tokyo Advertisement Art Association (Tokyo Kokoku Bijutsu Kyokai) in 1931 and contributed prints to the series One Hundred Views of Great Tokyo (Dai Tokyo Hyakkei) the following year. In 1942, Gihachiro Okuyama joined Umetaro Azechi and Uichi Takayama in the founding of the Shin Hanga Kyokai.

 

During the war, Okuyama participated in Nihon Hanga Hokokai, an organization where Sosaku Hanga and Shin Hanga artists worked together to obtain printing materials during wartime. He began his own publishing firm, the Japan Print Institute (Nihon Hanga Kenkyusho), following the war. The firm published reproductions of famous ukiyo-e woodblock prints, but folded in 1948. Unfazed, Okuyama founded a print workshop in Matsudo in 1954, printing his own landscapes in addition to facsimiles of famous Eastern and Western artworks. Gijin, Okuyama’s son and woodblock print artist in his own right, carved the blocks and took over the workshop in 1973.

Shin Hanga | Pre-WWII Japanese Prints

By the beginning of the 20th century the social fabric of Japan was radically altered and ukiyo-e was falling fast into oblivion. Surprisingly, it was under the stimulus of the Western art world that the spirit of ukiyo-e was reborn through the Shin Hanga or “new print” movement. The discovery of the powerful impact of ukiyo-e print masters on the Impressionists and Post-Impressionists inspired a new generation of Japanese print artists who revived distinctly Japanese subject matter through modern eyes. International excitement for ukiyo-e paved the way for these artists to create woodblock prints with the same dignity, perfection and genius as the masters of the Edo period. As artists such as Goyo, Kotondo and Shinsui revived bijin-ga (pictures of beautiful women) and Hasui and Yoshida reinterpreted the landscape of Japan, Shin Hanga reasserted the principal genres of ukiyo-e with a renewed vigor. Browse our collection of Shin Hanga and other pre-war Japanese artworks today.

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Artist

  • Bakufu
  • Goyo
  • Hasui
  • Hoson
  • Ikeda, Zuigetsu
  • Inuzuka, Taisui
  • Kanpo
  • Keibun
  • Kiyoshi
  • Kiyotada IV
  • Kogyo
  • Koitsu
  • Koson
  • Kotondo
  • Kuzuhara, Teru
  • Morikane
  • Murakami, Sadao
  • Nakayama, Shuko
  • Nishimura, Hodo
  • Okada, Koichi
  • Okumura, Koichi
  • Rakusan (Rakuzan)
  • Shin'ei
  • Shinsui
  • Shiro
  • Shoson
  • Shoun
  • Shuho
  • Chigusa, Soun
  • Sozan
  • Tadamasa
  • Taniguchi, Kokyo
  • Tatsumi
  • Toyonari
  • Uehara, Konen
  • Baldridge, Cyrus LeRoy
  • Bartlett, Charles
  • Keith, Elizabeth
  • Foujita, Tsuguharu
  • Hyde, Helen
  • Ide, Gakusui
  • Ishiwata, Koitsu
  • Ito, Yuhan
  • Jacoulet, Paul
  • Kotozuka, Eiichi
  • Lum, Bertha
  • Miki, Suizan
  • Miller, Lilian
  • Oda, Kazuma
  • Okuyama, Gihachiro
  • Saito, Kiyoshi
  • Seiler, Willy
  • Ashikaga, Shizuo
  • Kawarazaki, Shodo
  • Shotei (aka Hiroaki)
  • Mori, Shuncho
  • Natori, Shunsen
  • Takane, Koko
  • Ito, Takashi
  • Takeshita, Kin-u
  • Tanigami, Konan
  • Tokuriki, Tomikichiro
  • Unsigned / Unknown Artist
  • Yoshida, Hiroshi
  • Yoshida, Toshi

Subject

  • Rituals & Beliefs
  • Spring

Period

  • 1945 - 1989 (Showa & Postwar Period)

Medium

  • Woodblock Print

Size

  • Medium (ie. Oban)

1 Product

Great Buddah, Kamakura

Okuyama, Gihachiro

Great Buddah, Kamakura

JPR-207892

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