Cassatt, Mary (1844 - 1926 )
Mary Cassatt was an American Impressionist drawer, painter, and printmaker. Born to an affluent family in Pennsylvania, Mary Cassatt studied art at the Pennsylvania Academy of Fine Arts. The school encouraged students to study abroad and in 1865, Cassatt left for Paris. Here she studied in the studios of Jean Léon Gérôme and Thomas Couture. Outside the classroom, Cassatt copied old master paintings during her extensive travel throughout Europe. In 187 she decided to stay in Paris and began exhibiting regularly at the Paris Salon. After seeing the pastel drawings of Degas in passing, she found herself drawn to the Impressionist movement. Upon Degas’ invitation, Mary Cassatt joined the movement and focused on paintings and prints in 1877. She was the only American in the group and mentored by both Degas and Manet. Like many of the Impressionists, she was also influenced by Japanese prints. Particularly moved by the work of Utamaro, she channeled his insightful renderings of the private life of women in the warm portrayal of motherhood in her own work. In describing Utamaro's work to her follow artists, Cassatt exclaimed, “you who want to make color prints, you couldn’t imagine anything more beautiful.” Due to failing eyesight, Cassatt ceased printmaking in 1901, followed by painting in 1904.
Modern Art | Modern Japanese Prints and Paintings
The 20th century saw the emergence of two modern Japanese print movements: Shin Hanga, or “new prints,” and Sosaku Hanga, or “creative prints.” Both sought an identity somewhere between centuries of rich cultural tradition and modern global character. With growing realism, changing techniques, and a newfound international audience, the Shin Hanga movement portrayed familiar Japanese themes through modern eyes. From sensual beauties and expressive actors, to atmospheric landscapes and sensitive nature studies, the principal genres of ukiyo-e reasserted themselves with renewed vigor. The Sosaku Hanga movement emphasized the participation of the artist in every aspect of production. From carving to printing, modern Japanese printmaking adopted a more spontaneous, expressive attitude through the artistic explorations of this movement. Ranging from figural to abstract, Sosaku Hanga flourished after WWII. Explore Ronin Gallery's selection of modern prints and paintings below.
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