Yoshitoshi (1839-1892)

Takakura Moon: Hasebe Nobutsura

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Yoshitoshi (1839-1892)
Takakura Moon: Hasebe Nobutsura
100 Views of the Moon
Woodblock Print
14.5" x 9.5"
Very fine color and impression, original album backing, small crease lower right corner embellished with embossing and lacquer. ***

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Akiyama Buemon

About the art

Hasebe Nobutsura was the retainer of Prince Mochihito-Shinno. In 1180, the prince plotted with Minamoto Yorimasa to overthrow Taira-no Kiyomori. Taira forces discovered the plot and the prince had to flee the castle immediately to avoid arrest. Nobutsura helped the prince and his foster brother escape dressed as courtly women. Since traveling upper class women obscured their entire form with large veiled hats, the two men stayed well hidden and escaped the oncoming soldiers. Nobutsura remained behind to defend the castle. Yoshitoshi portrays the loyal retainer at the edge of the trees, watching the prince escape into the misty night. 

About the artist

The son of a Tokyo physician, Yoshitoshi Tsukioka (né Kinzaburo Yoshioka) is considered one of the last great masters of ukiyo-e art. As a young boy he showed remarkable talent and began to study under the renowned Kuniyoshi at the age of 12. Yoshitoshi also studied under Yosai and was adopted by the Tsukioka family.


As modernization pushed ahead, Yoshitoshi suffered a nervous breakdown in 1872, living in poverty and ceasing all artistic production. A year later, he resumed working; adopting the artist name Taiso and fulfilling his creative potential. In 1885, he began one of his most acclaimed series, 100 Views of the Moon. In the spring of 1892, he suffered his final mental breakdown and was committed to the Sugamo Asylum. On the 9th of June 1892, he died of a cerebral hemorrhage at the age of 53.


Yoshitoshi’s prints are known for their eerie and imaginative component. He worked in a Japan undergoing rapid change, straddling the domains of the old, feudal systems and the new, modern world. His considerable imagination and originality imbued his prints with a sensitivity and honesty rarely seen in ukiyo-e of this time period. From ghost stories to folktales, graphic violence to the gentle glow of the moon, Yoshitoshi not only offers compositional and technical brilliance, but also unfettered passion.

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