Kiyochika (1847 - 1915 )
Meiji period print artist Kiyochika Kobayashi grew up in a rapidly changing Japan. Born in Edo, he was the son of a minor government official. Kiyochika studied Japanese painting with Kyosai and Zeshin, as well as oil painting under the instruction of Charles Wirgman. Inspired by imported copper etchings and lithography, Kiyochika soon turned his attention to woodblock printing. He was heavily influenced by Western art and techniques. He not only explored the new world of color introduced by aniline dyes, but also delved into studies of light and shadow in his prints. As magazines and newspapers gained popularity during the Meiji Period, Kiyochika illustrated current events and military campaigns. In 1894, he opened his own school. He worked right up until his death in 1915.
Publishing his first work in 1876, Kiyochika Kobayashi’s prints would come to reflect the changing landscape of the Meiji Period, the shift from the floating world of Edo to a modern Tokyo. These works reflect the influx of Western technologies, evidenced by clock towers, railroads and horse-drawn carriages. He also completed numerous illustrations and sketches of the Sino-Japanese War of 1894-1895. These prints of the 1880s and 1890s emphasize the military prowess that defined Japan’s new nationalism. The genre of senso-e (war prints) became popular, fitting into the imperial slogan of Bunmei Kaika. Meaning “Civilization and Enlightenment,” this policy emphasized military might and booming industry as the key characteristics of a modern nation.
Alone, He Opened the Gate of Hyonmu Gate (Genbumon) in the Shower of Bullets
Torpedo Fireworks at Nakasu on Sumida River
Kuro Hankan Minamoto no Yoshitsune and Shizuka Gozen
Attack and Occupation of Denshodai (Tianzhuangtai)
Hurrah for the Great Victory of the Navy of Great Japan at the Naval Battle of Incheon between Japan and Russia