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Hasui (1883 - 1957)

Snow at Benten Shrine Entrance

Medium: Woodblock Print
Date: Designed September 1929
Size (H x W): 11.5 x 16.5 (inches)
Publisher: Nakajima Shobisha
Edition: Posthumous Numabe Edition
Signature: Hasui
Condition: Very fine color, impression and state. Contemporary reprint made from original blocks.



Printed from original blocks by Hironobu Numabe.

Founded in 1995 by Shinkichi Numabe, Tokyo-based Numabe Mokuhan does not merely reproduce famous designs, but "remasters" them. Whether printing from original blocks or creating new ones, Shinkichi Numabe and his son Hironobu Numabe breathe new life into familiar designs with the highest printing quality. As they champion the craftsmen, tools, and materials that come together with each print, Numabe Mokuhan shares the spirit of traditional woodblock printmaking with a new generation.

Formerly the principal printer for Toshi Yoshida, Shinkichi Numabe brings decades of expertise and passion to Numabe Mokuhan. This multigenerational team expresses this passion not only in their prints, but also throughout the community. Through lectures and workshops, the pair shares the technique, history, and joy of woodblock printmaking with audiences of all ages.

About the artist

Regarded as a major Japanese landscape artist of the 20th century, Hasui Kawase’s prints are characterized by their serenity of mood and flawless composition. Born Bunjiro Kawase in Tokyo, Hasui Kawase was the son of a silk braid merchant. He began his artistic career studying Japanese-style painting with Kiyokata, as well as Western-style at the Hakubakai. His talent was clear, exhibiting in the Tatsumi Exhibition of Painting at age 19. However, soon after seeing Shinsui’s series Eight Views of Lake Biwa, Hasui turned his attention to woodblock printing in 1919. Shozaburo Watanabe was the first to recognize his artistic genius and Hasui Kawase soon became the most popular artist working for this prestigious publisher. Hasui traveled widely in Japan and his subjects consisted mostly of his surroundings. These Japanese landscape prints are based upon small, quick sketches and watercolors taken from nature. Unfortunately, during the earthquake of 1923, all of his woodblocks and over 200 sketches were destroyed. The works that predate this event are extremely scarce and in great demand today. Undaunted, Hasui continued to produce his landscape prints. In 1956, the Japanese government’s Committee for the Preservation of Intangible Cultural Heritage designated Hasui's Zojo Temple in Snow and the documentation of its production as Intangible Cultural Treasures, the greatest artistic honor in postwar Japan. All of Hasui Kawase Japanese landscape artwork prints are signed “Hasui” usually with a variety of red seals reading “sui.” Though Watanabe published the majority of Hasui Kawase’s prints, Doi, Kawaguchi, Sakai and others published some designs as well.