• Home
  • -
  • Minamoto no Yoriie Watching Asahina Yoshihide Fighting Two Crocodiles at Kotsubo in Kamakura

#JPR5045

Kuniyoshi (1797 - 1861)

Minamoto no Yoriie Watching Asahina Yoshihide Fighting Two Crocodiles at Kotsubo in Kamakura

Medium: Woodblock Print
Date: c. 1842
Size (H x W): 13.75 x 29.5 (inches)
Publisher: Sogawaya Yohei
Seals: Hama (censor seal)
Signature: Ichiyusai Kuniyoshi ga
Condition: Very good color, impression and state, light wear around edges, left and right sheet lightly backed, embellished with mica.
$6,800.00

1 Available

Select Store to check availability.

Description

In the central panel of this marvelous triptych, the legendary figure Asahina wrestles with one of two attacking crocodiles. The determined expression on our hero's face and his bulging muscles suggest that he is a strong fighter, yet the contrasting horrified and worried appearances of the spectators in the surrounding boats suggests that this may be a close fight.

Another impression of this print can be found in Harvard Art Museums.

About the artist

The son of silk dyer, Kuniyoshi Utagawa was born into the Igusa family in Edo. Little is known about his very early years, though he is said to have shown remarkable talent from a young age. Kuniyoshi began his ukiyo-e career as a pupil of Shunei. At age 14 he was accepted to study the art of woodblock printing under Toyokuni I and, in time, would become one of his most successful students. In 1814, he left Toyokuni’s studio to pursue a career as an independent ukiyo-e artist. Initially, he had little success, selling tatami mats in order to support himself. However, his fortunes changed in 1827 with his dramatic series 108 Heroes of the Suikoden. From that point forward, the public hungered for his portrayals of famous samurai and legendary heroes. Kuniyoshi Utagawa worked across all genres, producing some brilliant landscapes and charming bijin-ga (pictures of beautiful women). He died in the spring of 1861 from complications of a stroke.

 

In direct contrast to the peaceful views of a scenic Japan provided by Hiroshige and Hokusai, the following decades saw a rise of the fierce, fearsome and fantastical in ukiyo-e. Kuniyoshi welcomed this changing public taste. He had a ravenous imagination and the full scope of his work reveals an aesthetic sensibility capable of capturing almost any experience. No doubt, however, his particular genius felt most at home in the world of martial glory, where epic battles decided the fate of empires and fierce warriors clashed to the death. Kuniyoshi's prints were so popular in his time that he received requests for tattoo designs.