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Utamaro (1753 - 1806)

Complete Set: Picture Book of Selected Insects (Ehon Mushi Erami)

Series: Picture Book of Selected Insects (Ehon Mushi Erami)
Medium: Woodblock Print
Date: 1788
Size (H x W): 8.625 x 6.375 (inches)
Publisher: Tsutaya Juzaburo (Koshodo)
Edition: Early first edition
Signature: Toriyama Seiken (preface 2), Yadoya no Meshimori (preface 1)
Condition: Sheets and covers unbound. Good color, very good impression, soiling, light staining and wear, text pages mounted on board, covers for book 2 included, covers of book 1 not included, one double page design attached with tape.
$15,000.00

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Description

Composed of 15 double page illustrations and two prefaces, Utamaro's Picture Book of Selected Insects (Ehon Mushi Erami, 1788) pairs love-themed kyoka (crazy-verse poems) with the insects and animals to which they elude. This illustrated book was first published in a two volume set then later combined into a single volume. This loose set of this famous book belongs to the original two volume release, as seen in the inclusion of the cover of volume 2. The bellflower and “seven-treasure” pattern of the cover matches that of the British Museum's edition and suggests an early printing.

About the artist

Best known for his slender and graceful bijin-ga, or "pictures of beautiful women," Utamaro is one of the masters of Japanese woodblock printing. He is renowned for his ability to subtly capture the personality and private lives of Edo's women, from courtesans to mothers. Utamaro’s enormous popularity was not limited to Japan. During the 19th century, Utamaro's ukiyo-e designs entranced Western artists and collectors. Mary Cassat was particularly taken by Utamaro’s Japanese woodblock prints, exclaiming, “you who want to make color prints, you couldn’t imagine anything more beautiful.”1

The scholar and artist Sekien served as Utamaro’s teacher until Seiken’s death in 1788. While the influence of Kiyonaga coursed through Utamaro's early woodblock prints, his unique style soon asserted itself. A prolific artist, he also produced illustrated books and paintings. Around 1791, he directed his focus to half portraits of women on their own, rather than the full-length, group designs that dominated the genre of bijin-ga. In 1804, he ran into legal trouble with the Tokugawa Shogunate for producing prints relating to a historical scene. The print depicted the 16th century ruler Hideyoshi with his wife and courtesans, entitled Hideyoshi and His Five Concubines. The work was deemed disrespectful and Utamaro was sentenced and imprisoned for a short time. Some believe that this broke his spirit, for he died in Edo two years later.

 

1. Mathews, Nancy Mowll. Mary Cassatt: A Life. New York: Villard, 1994. Print, 194.