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Yoshitoshi (1839-1892)

The Moon at Saga

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Yoshitoshi (1839-1892)
The Moon at Saga
One Hundred Views of the Moon
Woodblock Print
14.5" x 9.75"
Very good color, impression and state, embellished with burnishing and embossing.

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Questions about this piece? 212.688.0188


Akiyama Buemon

About the art

The beautiful musician, Kogo no Tsubone, was a favorite of the 12th century emperor, Go-Shirakawa. Empress Kenreimonin became fierce with jealousy and sought advice from her father, Kiyomori. He ordered that Tsubone be poisoned, so she fled from the court. The emperor sent the courtier Nakakuni, another musician, to find Tsubone and return her to Kyoto. One night, Nakakuni heard familiar koto music emerging from a small house in Saga. He responded by playing a tune on his flute and convinced the lady to return to court. In this print, Yoshitoshi depicts the musicians’ call and response. Nakakuni has dismounted his horse to play his flute, while Tsubone can be seen within the house, bent over her koto. 

About the artist

The son of a Tokyo physician, Yoshitoshi Tsukioka (né Kinzaburo Yoshioka) is considered one of the last great masters of ukiyo-e. As a young boy he showed remarkable talent and began to study under the renowned Kuniyoshi at the age of 12. Yoshitoshi also studied under Yosai and was adopted by the Tsukioka family.


As modernization pushed ahead, Yoshitoshi suffered a nervous breakdown in 1872, living in poverty and ceasing all artistic production. A year later, he resumed working; adopting the artist name Taiso and fulfilling his creative potential. In 1885, he began one of his most acclaimed series, 100 Views of the Moon. In the spring of 1892, he suffered his final mental breakdown and was committed to the Sugamo Asylum. On the 9th of June 1892, he died of a cerebral hemorrhage at the age of 53.


Yoshitoshi’s prints are known for their eerie and imaginative component. He worked in a Japan undergoing rapid change, straddling the domains of the old, feudal systems and the new, modern world. His considerable imagination and originality imbued his prints with a sensitivity and honesty rarely seen in ukiyo-e of this time period. From ghost stories to folktales, graphic violence to the gentle glow of the moon, Yoshitoshi not only offers compositional and technical brilliance, but also unfettered passion.

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