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Yoshitoshi (1839-1892)

A Poem by Yorimasa

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Yoshitoshi (1839-1892)
A Poem by Yorimasa
One Hundred Views of the Moon
Woodblock Print
14.5" x 9.5"
Very good color and impression, light original album backing, embellished with burnishing and embossing, small pink dot.

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Questions about this piece? 212.688.0188


Akiyama Buemon

About the art

Minamoto Yorimasa was a 12th century warrior and accomplished poet. The Tale of Heike recounts his defeat of the nue, a monster with the body of a badger, the face of a monkey, the paws of a tiger, and a tail tipped with a snake’s head. In gratitude, the emperor presented Yorimasa with a famous sword. As the Minister of the Left descended the palace steps to hand Yorimasa the sword, a cuckoo called. Inspired, the minister recited half of a poem: A cuckoo crying winging swiftly through the clouds celebrates his name. Yorimasa knelt, looked up at the crescent moon, and humbly responded:The arrow sought its own way as the crescent moon went dark.

About the artist

The son of a Tokyo physician, Yoshitoshi Tsukioka (né Kinzaburo Yoshioka) is considered one of the last great masters of ukiyo-e. As a young boy he showed remarkable talent and began to study under the renowned Kuniyoshi at the age of 12. Yoshitoshi also studied under Yosai and was adopted by the Tsukioka family.


As modernization pushed ahead, Yoshitoshi suffered a nervous breakdown in 1872, living in poverty and ceasing all artistic production. A year later, he resumed working; adopting the artist name Taiso and fulfilling his creative potential. In 1885, he began one of his most acclaimed series, 100 Views of the Moon. In the spring of 1892, he suffered his final mental breakdown and was committed to the Sugamo Asylum. On the 9th of June 1892, he died of a cerebral hemorrhage at the age of 53.


Yoshitoshi’s prints are known for their eerie and imaginative component. He worked in a Japan undergoing rapid change, straddling the domains of the old, feudal systems and the new, modern world. His considerable imagination and originality imbued his prints with a sensitivity and honesty rarely seen in ukiyo-e of this time period. From ghost stories to folktales, graphic violence to the gentle glow of the moon, Yoshitoshi not only offers compositional and technical brilliance, but also unfettered passion.

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