Harunobu (1724-1770)

Courteasn Ninoaya Smoking Tobacco

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Harunobu (1724-1770)
Courteasn Ninoaya Smoking Tobacco
Picture Book Comparison of the Beauties of the Green Houses
Woodblock Print
10.75" x 7"
very good color and impression, light staining and soiling on right edge and corner, small binding holes on left margin. Some embossing.

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Funake Kasuke, Koizumi Chugoro and Maruya Jinpachi

About the art

Engraver: Endo Matsugoro

About the artist

While little is known about his early life, Harunobu Suzuki (né Hozumi) is a traditional ukiyo-e artist that lived and worked in Edo. Said to have been the student of Shigenaga, Harunobu’s early actor prints suggest the strong influence of Toyonobu, Sukenobu and the Torii school. Though he began with actor prints, Harunobu Suzuki’s later prints focused on young girls and the tantalizing courtesans of Edo. He produced over 500 printed works, as well as many paintings, before his death in 1770. In the spring of 1765, Edo saw the first nishiki-e (“brocade pictures” or full-color prints). Commissioned by wealthy patrons, the first full-color prints took the form of egoyomi (calendar prints). Intricate and lavish, these private Harunobu Suzuki prints were soon released in separate, public editions through publishers and booksellers. Harunobu used nishiki-e to capture the urban, everyday world of Edo in brilliant color. He is considered a true luminary of ukiyo-e, a talent beyond compare. From shunga (erotic prints) to classical poems, he is a master of color. Harunobu’s genius is particularly apparent in his depictions of young, innocent women. Presenting a delicate, youthful vision of idealized femininity, he is a ukiyo-e artist that influenced many artists to come.

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