#JP3677
Goyo Hashiguchi (1880-1921)

Woman Holding a Firefly Cage

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#JP3677
Goyo Hashiguchi (1880-1921)
Woman Holding a Firefly Cage
Medium:
Woodblock Print
Date:
Designed July DJ1920
Size:
11.3" x 18"
Signature:
Goyo ga
Condition:
Very good impression and state
$4,400.00

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Details

Seals:
Goyo

About the art

Though this print may seem minimalistic at first glance, the delicate touches tell a different story. While the kimono is undecorated, the obi around her waist is ornately patterned and carefully layered. Her thin tendrils of hair create a sense of transparency. A fan hangs from a strap wrapped around her wrist. Though the shape of the fan is simple, Goyo adds an expressive image of fish swimming down a stream. Fluttering around the print are several small fireflies, suggested by a few well-placed lines. The key block for this print is thought to be lifetime, never completed it was printed posthumously.  On the reverse: Sealed Mie, Inscribed Honke yori dasu (from the family)

About the artist

Japanese artist Goyo Hashiguchi (né Kiyoshi Hashiguchi) was born in Kagoshima to Kanemitsu Hashiguchi, a samurai and a Shijo-style painter. It is said that the five-needle pine (goyo no matsu) in his father’s garden inspired Goyo’s artist name. He began his career in Kano painting at age 10, moving to Tokyo in 1899 to study with the leading Kano painter Gaho Hashimoto. He soon shifted to Western-style painting under Seiki Kuroda at the Tokyo School of Fine Arts, graduating at the top of his class in 1905. Shortly thereafter, the prominent Tokyo woodblock print publisher Watanabe convinced him to become a Japanese woodblock artist. Watanabe published Goyo’s first woodblock print, Nude After Bathing in 1915. His sensitive portrayal of women in a delicate, serene and infinitely graceful mode led to his immediate popularity. This mastery of line and composition is equally apparent in his tender drawings. These drawings are extremely scarce.

 

Goyo Hashiguchi, an active perfectionist, was not satisfied with Watanabe’s workmanship and consequently set up his own workshop. As a Japanese woodblock artist, his standards were so high that he rarely allowed his editions to run more than eighty prints. This decision resulted in some of the most technically superb woodblock prints to be produced since the late 18th century.

 

On February 24, 1921, Goyo died from an ear infection, the aftermath of a severe case of influenza. His death at so early an age was a tragedy to the art world. Goyo’s entire artistic career spanned 15 short years, of which only the last five were as a Japanese woodblock artist. He completed only 14 prints. At his death, Goyo left many works in various stages of completion. Some were all but finished, with full-color proofs already completed; for others, the key block impressions had been taken, and still others had barely progressed beyond the preliminary sketches. Members of Goyo’s family brought these unfinished materials to fruition.

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