#JP1-46931
Yoshitoshi (1839-1892)

The Moon of the Lonely House

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#JP1-46931
Yoshitoshi (1839-1892)
The Moon of the Lonely House
Series:
100 Views of the Moon
Medium:
Woodblock Print
Date:
1890
Size:
14.5" x 9.5"
Signature:
Yoshitoshi
Condition:
Very fine color and impression, light original album backing, embellished with embossing, woodgrain visible.

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Details

Publisher:
Akiyama Buemon
Seals:
Taiso

About the art

A wicked old woman lived in the lonely house, hitotsu-ya, at Asajigahara in the Musashi Plain. She was known to take in weary travellers for the night, which she would subsequently rob and kill. Ultimately, the old woman’s daughter sacrificed herself in order to save a traveller. This self-sacrifice made the old woman realize her wickedness and change her ways. The haunting tale of the lonely house was dramatized across many stages, producing several different versions of the story. In one telling of the tale, the daughter falls in love with the traveller, in another, the traveller turns out to be the Bodhisattva Kannon in disguise. 

About the artist

The son of a Tokyo physician, Yoshitoshi Tsukioka (né Kinzaburo Yoshioka) is considered one of the last great masters of ukiyo-e art. As a young boy he showed remarkable talent and began to study under the renowned Kuniyoshi at the age of 12. Yoshitoshi also studied under Yosai and was adopted by the Tsukioka family.

 

As modernization pushed ahead, Yoshitoshi suffered a nervous breakdown in 1872, living in poverty and ceasing all artistic production. A year later, he resumed working; adopting the artist name Taiso and fulfilling his creative potential. In 1885, he began one of his most acclaimed series, 100 Views of the Moon. In the spring of 1892, he suffered his final mental breakdown and was committed to the Sugamo Asylum. On the 9th of June 1892, he died of a cerebral hemorrhage at the age of 53.

 

Yoshitoshi’s prints are known for their eerie and imaginative component. He worked in a Japan undergoing rapid change, straddling the domains of the old, feudal systems and the new, modern world. His considerable imagination and originality imbued his prints with a sensitivity and honesty rarely seen in ukiyo-e of this time period. From ghost stories to folktales, graphic violence to the gentle glow of the moon, Yoshitoshi not only offers compositional and technical brilliance, but also unfettered passion.

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