#JP1-47037
Yoshitoshi (1839-1892)

Moon Above the Sea at Daimotsu Bay: Benkei

Roll On image to Zoom in
#JP1-47037
Yoshitoshi (1839-1892)
Moon Above the Sea at Daimotsu Bay: Benkei
Series:
100 Views of the Moon
Medium:
Woodblock Print
Date:
1886
Size:
14.5" x 9.5"
Signature:
Yoshitoshi
Condition:
Very good color and impression, light original album backing, very light offset stain, embellished with embossing and mica on waves, woodgrain visible.

Sold

Authenticity Guaranteed

Learn more

Worldwide Shipping

Learn more

Questions about this piece? 212.688.0188

Details

Publisher:
Akiyama Buemon
Seals:
Taiso

About the art

When Minamoto Yoshitsune fled the wrath of his brother, Yoritomo, he and his followers were caught in a violent storm in the Straits of Shimonoseki. As the water threatened their ranks, Musashibo Benkei, a favorite hero of the Genji-Heike wars and devout follower of Yoshitsune, took to the front of the ship and saved them with his prayers. In this dynamic work, Yoshitoshi contrasts the fury of the storm with the serenity of Benkei. While the waves crest white and close in around the ship, Benkei appears calm, peaceful, his stance strong beneath the ghostly shadow silhouetted in the moon above. 

About the artist

The son of a Tokyo physician, Yoshitoshi Tsukioka (né Kinzaburo Yoshioka) is considered one of the last great masters of ukiyo-e. As a young boy he showed remarkable talent and began to study under the renowned Kuniyoshi at the age of 12. Yoshitoshi also studied under Yosai and was adopted by the Tsukioka family.

 

As modernization pushed ahead, Yoshitoshi suffered a nervous breakdown in 1872, living in poverty and ceasing all artistic production. A year later, he resumed working; adopting the artist name Taiso and fulfilling his creative potential. In 1885, he began one of his most acclaimed series, 100 Views of the Moon. In the spring of 1892, he suffered his final mental breakdown and was committed to the Sugamo Asylum. On the 9th of June 1892, he died of a cerebral hemorrhage at the age of 53.

 

Yoshitoshi’s prints are known for their eerie and imaginative component. He worked in a Japan undergoing rapid change, straddling the domains of the old, feudal systems and the new, modern world. His considerable imagination and originality imbued his prints with a sensitivity and honesty rarely seen in ukiyo-e of this time period. From ghost stories to folktales, graphic violence to the gentle glow of the moon, Yoshitoshi not only offers compositional and technical brilliance, but also unfettered passion.

"We use cookies to gather web statistics, remember your settings and target ads. Read more about how we use cookies in our Cookie Policy or close tab now."