Yoshitoshi (1839-1892)

Faith in the Third-Day Moon: Yukimori

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Yoshitoshi (1839-1892)
Faith in the Third-Day Moon: Yukimori
100 Views of the Moon
Woodblock Print
14.5" x 9.5"
Very fine color and impression, light original album backing, embellished with black lacquer, woodgrain visible.


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Akiyama Buemon

About the art

Yamanaka Shikanosuke Yukimori was a warrior famous for his great physical strength. He served as a general to the lord of Izumo province during the 16th century wars and died at the age of 34. He believed that the crescent moon or “three- day moon” was a powerful symbol of good luck and always wore an image of it attached to his helmet. Yoshitoshi echoes the crescent shape with Yukimori’s kamayari, or “sickle spear.” The warrior wears a stern expression, asserting an inner strength to match his fierce outward appearance. The gradation of the grey around the figure accentuates Yukimori’s physical presence on the page. 

About the artist

The son of a Tokyo physician, Yoshitoshi Tsukioka (né Kinzaburo Yoshioka) is considered one of the last great masters of ukiyo-e art. As a young boy he showed remarkable talent and began to study under the renowned Kuniyoshi at the age of 12. Yoshitoshi also studied under Yosai and was adopted by the Tsukioka family.


As modernization pushed ahead, Yoshitoshi suffered a nervous breakdown in 1872, living in poverty and ceasing all artistic production. A year later, he resumed working; adopting the artist name Taiso and fulfilling his creative potential. In 1885, he began one of his most acclaimed series, 100 Views of the Moon. In the spring of 1892, he suffered his final mental breakdown and was committed to the Sugamo Asylum. On the 9th of June 1892, he died of a cerebral hemorrhage at the age of 53.


Yoshitoshi’s prints are known for their eerie and imaginative component. He worked in a Japan undergoing rapid change, straddling the domains of the old, feudal systems and the new, modern world. His considerable imagination and originality imbued his prints with a sensitivity and honesty rarely seen in ukiyo-e of this time period. From ghost stories to folktales, graphic violence to the gentle glow of the moon, Yoshitoshi not only offers compositional and technical brilliance, but also unfettered passion.

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