Japanese Woodblock Prints (1800 - 1868)
By the 19th century, Japanese woodblock prints achieved extraordinary popularity. While the shogunate issued a battery of censorship reforms throughout the 1800s, artists ignored and evaded restrictions with images of indulgent beauties and vibrant kabuki actors. As constraints tightened in the 1840s, bijin-ga (pictures of beautiful women) became earthier in prints by Eizan and Eisen, while kabuki actors persevered in the work of Kunisada (aka Toyokuni III). During this period, ukiyo-e artists also added landscapes, warriors, ghosts and scenes of everyday life to their oeuvre. Artists such as Hokusai and Hiroshige indulged a national wanderlust through Meisho-e or “famous place pictures,” while Kuniyoshi championed musha-e, a genre of warrior and legendary pictures.
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Toyokuni III
Poem by Kotaikogu no Tayu Shunzei: Akazawa Junai and Otonai
JP-209773
Kunichika
Kabuki Actor Kawarasaki Gonjuro I as Shibahimo Tanzaemon
JPR-209721
Kuniyoshi
Du Qian, the Sky Toucher (Mochakuten Tosen)
JPR-209553
Yoshiiku
Murota Kageyu-jikan Yoshitaka (Kuroda Yoshitaka)
JPR-209575
Yoshitoshi
The Yugao Chapter from the Tale of Genji
JPR-209522
Kuniyoshi
The Capture of Kidomaru by Minamoto no Raiko
JP-209216
Kunisada II (aka Kunimasa III, Toyokuni IV)
Minamoto no Yorimitsu and Four Retainers Defeating Shutendoji
JPR-209031
Kuniyoshi
In 1153 at Konoe's Palace the Skilled Archer Yorimasa Shooting the Nue
JP1503
Kuniyoshi
At Kiyomori's Visit to Nunobiki Waterfall, Ghost of Akugenta Yoshihira Strikes Down Nanba Jiro
JPR-84454
Toyokuni III
Ichikawa Danjuro VIII as Endo Musha: Poem by Fujiwara no Nakafumi
JP5492
Kuniyoshi
Minamoto no Yoriie Watching Asahina Yoshihide Fighting Two Crocodiles at Kotsubo in Kamakura
JPR5045