Japanese Woodblock Prints (1800 - 1868)
By the 19th century, Japanese woodblock prints achieved extraordinary popularity. While the shogunate issued a battery of censorship reforms throughout the 1800s, artists ignored and evaded restrictions with images of indulgent beauties and vibrant kabuki actors. As constraints tightened in the 1840s, bijin-ga (pictures of beautiful women) became earthier in prints by Eizan and Eisen, while kabuki actors persevered in the work of Kunisada (aka Toyokuni III). During this period, ukiyo-e artists also added landscapes, warriors, ghosts and scenes of everyday life to their oeuvre. Artists such as Hokusai and Hiroshige indulged a national wanderlust through Meisho-e or “famous place pictures,” while Kuniyoshi championed musha-e, a genre of warrior and legendary pictures.
11 Products
Kyosai
The Husband's Beloved Red Hat, Shaking Like the Ghost of the Potato Jelly
JP-208817
Kyosai
Flower on a Withered Tree, Strolling Like a Dog on the River
JP-208823
Kyosai
Oxen Prefer the Company of Oxen, Botange Shohaku, The Lovers of the Tanabata Festival, Sugawara Michizane and Kodomaru
JP-208822
Kyosai
Even Pigeons Roost at Different Heights According to Seniority; Even Crows Show Filial Piety When the Young Feed Their Parents
JP-208821
Kyosai
Flowers Sprouting from Dried Beans, Getting a Headache from Worrying about Your Neighbor's Digestion
JP-208820
Kyosai
The Fruit of the Tree Is Known from Its Flowers, Fighting Like Dogs and Monkeys
JP-208819
Kyosai
Hateful Things Are Feared by the World, A Crow Imitating a Cormorant
JP-208818
Kyosai
A Day Late for the Festival: No Curse from the God You Don't Touch
JP-208816
Kyosai
A Bell Hanging from a Lantern, Three People Together are as Wise as the Bodhisattva Monju
JP-208815