Japanese Woodblock Prints (1800 - 1868)
By the 19th century, Japanese woodblock prints achieved extraordinary popularity. While the shogunate issued a battery of censorship reforms throughout the 1800s, artists ignored and evaded restrictions with images of indulgent beauties and vibrant kabuki actors. As constraints tightened in the 1840s, bijin-ga (pictures of beautiful women) became earthier in prints by Eizan and Eisen, while kabuki actors persevered in the work of Kunisada (aka Toyokuni III). During this period, ukiyo-e artists also added landscapes, warriors, ghosts and scenes of everyday life to their oeuvre. Artists such as Hokusai and Hiroshige indulged a national wanderlust through Meisho-e or “famous place pictures,” while Kuniyoshi championed musha-e, a genre of warrior and legendary pictures.
19 Products
Hokusai
Panoramic Views of Both Banks of the Sumida River at a Glance
JP-211121
Toyokuni III
Flowers and Birds: Genji and His Companions Sharing a Boat
JPR-210939
Hiroshige
Year-end Market at Kinryuzan Temple, Asakusa
JP110866
Kuniyoshi
Yatsuhashi: Actor Ichikawa Danjuro VIII as Teranishi Kanshin
JP-208298
Toyokuni III
Mitsuuji Amusing Himself at a Hot Springs Resort
JPR-209065
Hiroshige
Year-end Market at Kinryuzan Temple, Asakusa
JPR5514
Hokusai
Drum Bridge at Kameido Tenjin Shrine
JP1-73745
Kuniyoshi
Chapter XXIII, Hatsune: Rokusuke from Ketani Village; Vassal for War Commander Kato Kiyomasa in the Sengoku Period
JPR-78824
Kunisada II (aka Kunimasa III, Toyokuni IV)
Chapter 2: Hahakigi (The Broom Tree)
JP1083