Japanese Woodblock Prints (1800 - 1868)
By the 19th century, Japanese woodblock prints achieved extraordinary popularity. While the shogunate issued a battery of censorship reforms throughout the 1800s, artists ignored and evaded restrictions with images of indulgent beauties and vibrant kabuki actors. As constraints tightened in the 1840s, bijin-ga (pictures of beautiful women) became earthier in prints by Eizan and Eisen, while kabuki actors persevered in the work of Kunisada (aka Toyokuni III). During this period, ukiyo-e artists also added landscapes, warriors, ghosts and scenes of everyday life to their oeuvre. Artists such as Hokusai and Hiroshige indulged a national wanderlust through Meisho-e or “famous place pictures,” while Kuniyoshi championed musha-e, a genre of warrior and legendary pictures.
45 Products
Kuniyoshi
Lifelike Dolls in the Inner Temple at Asakusa
JP-210245
Kunisada
Act IX from the series The Storehouse of Loyal Retainers, a Primer
JPR-210528
Kuniyoshi
The Battle at the Eastern Temple, Rokuhara
JPR-209044
Kuniyoshi
The Last Stand of the Kusunoki Clan at Shijo Nawate
JP-209672
Kuniyoshi
Raiko Severing the Head of the Shutendoji at Mt. Oe
JPR-209045
Kunisada II (aka Kunimasa III, Toyokuni IV)
Minamoto no Yorimitsu and Four Retainers Defeating Shutendoji
JPR-209031
Kuniyoshi
Incomparable Hidari Jingoro (Master Sculptor)
JPR-87609
Kuniyoshi
Takiyasha and Skeleton Specter in the Ruined Palace at Soma
JP-208785
Kuniyoshi
Comical Panoramic View of Yoritomo’s Hunting Party under Mt. Fuji
JPR-209039
Kuniyoshi
Account of the Loyal Retainers: The Long-awaited Raid
JP-208870
Kunisada
Tale of the Soga Brothers: The Killing of Ten
JP-89332
Kuniyoshi
Yoshitsune Recovering His Bow from the Sea at the Battle of Yashima
JPR-209046
Yoshikazu
Nitta Yoshisada's Battle at Kamakura in the Fifth Month of 1332
JPR-209035