Japanese Woodblock Prints (1800 - 1868)
By the 19th century, Japanese woodblock prints achieved extraordinary popularity. While the shogunate issued a battery of censorship reforms throughout the 1800s, artists ignored and evaded restrictions with images of indulgent beauties and vibrant kabuki actors. As constraints tightened in the 1840s, bijin-ga (pictures of beautiful women) became earthier in prints by Eizan and Eisen, while kabuki actors persevered in the work of Kunisada (aka Toyokuni III). During this period, ukiyo-e artists also added landscapes, warriors, ghosts and scenes of everyday life to their oeuvre. Artists such as Hokusai and Hiroshige indulged a national wanderlust through Meisho-e or “famous place pictures,” while Kuniyoshi championed musha-e, a genre of warrior and legendary pictures.
120 Products
Kunisada II (aka Kunimasa III, Toyokuni IV)
Genji on a Cherry Blossom-viewing Excursion
JPR-210894
Hiroshige II
Shoshoku Gatsu, Volume I (Pictures of Various Occupations)
JPR-211088
Hiroshige II
True Views of Hirose in Unshu (Izumo Province)
JPR-87187
Kunisada II (aka Kunimasa III, Toyokuni IV)
Genji Figures with Flowers
JPR-210062
Kunisada II (aka Kunimasa III, Toyokuni IV)
Kabuki Actors Bando Mitsugoro VI as Gosuke's Wife (Nyobo) Odai, Ichimura Kakitsu IV as the Otokodate Nozarashi Gosuke, and Sawamura Tossho II in a Female Role
JPR-209652
Kunisada II (aka Kunimasa III, Toyokuni IV)
Two Beauties in the Doorway
JP-209795
Kunisada II (aka Kunimasa III, Toyokuni IV)
Minamoto no Yorimitsu and Four Retainers Defeating Shutendoji
JPR-209031