Suzuki, Kason (1860 - 1919 )

Born as Shigeo Suzuki in 1860, Kason Suzuki was the son of a Edo kimono merchant. He began his artistic training with Kyosai Nakajima at the age of fourteen. Two years later, he began his ten year tenure as a pattern designer for the export company Kiryu Kosho Gaisha. He received an award at the inaugural Domestic Industrial exhibition in 1877 for gold lacquer patterns. From 1887 until the turn of the century, Kason worked for Takejiro Hasegawa, a publisher of foreign language texts on Japanese subjects, creating illustrations for an export audience alongside Shoso Mishima and Yoshimune Arai. In the 1890s, he produced some newspaper illustrations for Hochi Shinbun and a print for the English-language book Hana, A Daughter of Japan (1904). While a success as an illustrator, Kason worked primarily as a painter. A member of the Japan Art Institute since 1898, he received recognition at the first and third Bunten exhibitions (1907 and 1909, respectively), as well as the 1910 Japanese-British Exposition. Kason was a teacher to Koson Ohara (1877-1945), who would become renowned for his kacho-e (bird-and-flower pictures). 

Meiji Period Prints (1868-1912)

Meiji-period woodblock prints reflect an era of change. In 1853, the arrival of Commodore Perry’s black ships brought over 250 years of Japanese isolation to an abrupt end. The following year, as Japan engaged in international trade, Yokohama-e (Yokohama pictures) captured an influx of unfamiliar peoples, places and things entering Japan through Yokohama harbor. By 1868, the Imperial line attained control of the country under Emperor Meiji, terminating the feudal rule of the Tokugawa Shogunate and dissipating the culture of the floating world. Under the emperor, national modernization progressed rapidly. From Western-style clothes and pastimes, to exciting new inventions from overseas, Japan absorbed the massive influx of the foreign and developed a distinctly Japanese modern identity. While photography and lithography gained popularity at this time, the woodblock print continued to serve as a powerful medium. Meiji period artists made sense of a transitioning world with a familiar medium.

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Availability

  • Available
  • Archive

Price

480280

Artist

  • Bairei
  • Beisaku
  • Biho
  • Chikanobu
  • Chikuseki
  • Eizan
  • Gakutei
  • Gekko
  • Ginko
  • Hiroshige
  • Hiroshige II
  • Hiroshige III
  • Hoitsu
  • Hokkei
  • Hokusai
  • Ikeda, Terukata
  • Ikuhide
  • Keinen
  • Kiyochika
  • Kogyo
  • Koson
  • Koun
  • Kunichika
  • Kunisada
  • Kunisada III
  • Kuniteru
  • Kunitoshi
  • Kuniyoshi
  • Kyosai
  • Miyagawa, Shuntei
  • Nobukazu
  • Rinsai
  • Sadahide
  • Sadanobu
  • Saigetsu
  • Seiko
  • Shimazaki, Ryuu
  • Shimizu, Seifu
  • Shinsai
  • Sugakudo
  • Suzuki, Kinsen
  • Tadakiyo
  • Takehisa, Yumeji
  • Toshiaki
  • Toshihide
  • Toshikage
  • Toshikata
  • Toshimasa
  • Toshimine
  • Toyohiro
  • Yasuda, Shodo
  • Yoshifuji
  • Yoshiiku
  • Yoshikage II
  • Yoshimitsu
  • Yoshimori
  • Yoshitora
  • Yoshitoshi
  • Yoshitsuya II
  • Zeshin
  • Hasegawa, Kannosuke (Chikuyo)
  • Kaburagi, Kiyokata
  • Kajita, Hanko
  • Kokunimasa (aka Kunimasa V)
  • Mori, Shunkei
  • Watanabe, Seitei
  • Yukawa, Shodo
  • Mishima, Shoso
  • Suzuki, Kason
  • Takeuchi, Keishu
  • Fujikawa, Tamenobu
  • Tanigami, Konan
  • Terasaki, Kogyo
  • Tomioka, Eisen
  • Unsigned / Unknown Artist
  • Yamanaka, Kodo
  • Yushin, Ayaoka

Subject

  • Beauties (bijin-ga)
  • Flowers & Gardens
  • Kuchi-e
  • Spring

Period

  • 1868 - 1912 (Meiji)

Medium

  • Woodblock Print

Size

  • Medium (ie. Oban)

3 Products

Beauty and Willow

Suzuki, Kason

Beauty and Willow

JPR-211238

$280.00
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Bijin in Autumn Garden

Suzuki, Kason

Bijin in Autumn Garden

JPR-211198

$380.00
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Reading a Letter

Suzuki, Kason

Reading a Letter

JP-93040

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