Kunisada (AKA Toyokuni III,1786 - 1864 )

View works signed Toyokuni III 

Kunisada, also known as Toyokuni III, was born in the Honjo district of Edo as Kunisada Tsunoda. Kunisada’s family owned a small hereditary ferryboat service. Though his father, an amateur poet, died when Kunisada was a child, the family business provided some financial security. During his childhood, he showed considerable promise in painting and drawing. Due to strong familial ties with literary and theatrical circles, he spent time studying actor portraits.

 

At age 14, he was admitted to study under Toyokuni, head of the Utagawa school. Kunisada’s woodblock print work embodies the characteristics of the Utagawa school, focusing on traditional subjects such as kabuki, bijin (beautiful women), shunga (erotic prints), and historical prints. His first known print dates to 1807, his first illustrated book to 1808. Kunisada’s art career took off from the beginning. Many of his works became overnight successes and he was considered the “star attraction” of the Utagawa school. He signed his works “Kunisada,” sometimes with the studio names of Gototei and Kochoro affixed. In 1844, he adopted the name of his teacher and became Toyokuni III. Kunisada passed away in 1864 in the same neighborhood that he was born. He was 70 years old. Kunisada was a highly popular, and the most active, ukiyo-e print artist of the 19th century. In his time, his reputation surpassed those of his contemporaries Hiroshige and Kuniyoshi.

Meiji Period Prints (1868-1912)

Meiji-period woodblock prints reflect an era of change. In 1853, the arrival of Commodore Perry’s black ships brought over 250 years of Japanese isolation to an abrupt end. The following year, as Japan engaged in international trade, Yokohama-e (Yokohama pictures) captured an influx of unfamiliar peoples, places and things entering Japan through Yokohama harbor. By 1868, the Imperial line attained control of the country under Emperor Meiji, terminating the feudal rule of the Tokugawa Shogunate and dissipating the culture of the floating world. Under the emperor, national modernization progressed rapidly. From Western-style clothes and pastimes, to exciting new inventions from overseas, Japan absorbed the massive influx of the foreign and developed a distinctly Japanese modern identity. While photography and lithography gained popularity at this time, the woodblock print continued to serve as a powerful medium. Meiji period artists made sense of a transitioning world with a familiar medium.

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Artist

  • Bairei
  • Beisaku
  • Biho
  • Chikanobu
  • Chikuseki
  • Eizan
  • Gakutei
  • Gekko
  • Ginko
  • Hiroshige
  • Hiroshige II
  • Hiroshige III
  • Hoitsu
  • Hokkei
  • Hokusai
  • Ikeda, Terukata
  • Ikuhide
  • Keinen
  • Kiyochika
  • Kogyo
  • Koson
  • Koun
  • Kunichika
  • Kunisada
  • Kunisada III
  • Kuniteru
  • Kunitoshi
  • Kuniyoshi
  • Kyosai
  • Miyagawa, Shuntei
  • Nobukazu
  • Rinsai
  • Sadahide
  • Sadanobu
  • Saigetsu
  • Seiko
  • Shimazaki, Ryuu
  • Shimizu, Seifu
  • Shinsai
  • Sugakudo
  • Suzuki, Kinsen
  • Tadakiyo
  • Takehisa, Yumeji
  • Toshiaki
  • Toshihide
  • Toshikage
  • Toshikata
  • Toshimasa
  • Toshimine
  • Toyohiro
  • Yasuda, Shodo
  • Yoshifuji
  • Yoshiiku
  • Yoshikage II
  • Yoshimitsu
  • Yoshimori
  • Yoshitora
  • Yoshitoshi
  • Yoshitsuya II
  • Zeshin
  • Hasegawa, Kannosuke (Chikuyo)
  • Kaburagi, Kiyokata
  • Kajita, Hanko
  • Kokunimasa (aka Kunimasa V)
  • Mori, Shunkei
  • Watanabe, Seitei
  • Yukawa, Shodo
  • Mishima, Shoso
  • Suzuki, Kason
  • Takeuchi, Keishu
  • Fujikawa, Tamenobu
  • Tanigami, Konan
  • Terasaki, Kogyo
  • Tomioka, Eisen
  • Unsigned / Unknown Artist
  • Yamanaka, Kodo
  • Yushin, Ayaoka

Subject

  • Beauties (bijin-ga)
  • Rain
  • Surimono

Period

  • 1868 - 1912 (Meiji)

Medium

  • Woodblock Print

Size

  • Small (ie. Chuban)

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Filtered By: Kunisada
Segawa Kikunojo V as Komurasaki (Meiji Edition)

Kunisada

Segawa Kikunojo V as Komurasaki (Meiji Edition)

JPR-208042

$720.00
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