Gekko (1859 - 1920 )
Gekko Ogata was born in Edo on September 5th, 1859. He originally went by Masanosuke Nagami. His father was a prosperous member of the community but went bankrupt when Gekko was seventeen. With no formal training in art, Gekko commenced his artistic pursuits as an illustrator for newspapers and books. He soon broadened his interest to painting, lacquer and pottery. As he gained popularity as a print artist, he began using the name Gekko in 1884. It is said that he took the name from the famous artist Korin Ogata at the request of Korin's family. Gekko Ogata was well respected and recognized during his lifetime. A member of Meiji Fine Art Society, he assisted in founding the Japan Youth Painting Association alongside Kakuzo Okakura in 1891. He received a gold medal at the 1904 St. Louis World Fair for selections from the fine art print series One Hundred Views of Mt. Fuji. Gekko Ogata perfected his Japanese woodblock print style over the span of his career, merging ukiyo-e printing, nihonga (Japanese-style painting), Shijo-style painting and Chinese painting. His rich artistic background and unique approach to printmaking impart his works with an appearance more akin to a painting than a traditional print. Other artist names used by Gekko include Kagyosai, Meikyosai, Nen’yu, and Rosai.
Meiji Period Prints (1868-1912)
Meiji-period woodblock prints reflect an era of change. In 1853, the arrival of Commodore Perry’s black ships brought over 250 years of Japanese isolation to an abrupt end. The following year, as Japan engaged in international trade, Yokohama-e (Yokohama pictures) captured an influx of unfamiliar peoples, places and things entering Japan through Yokohama harbor. By 1868, the Imperial line attained control of the country under Emperor Meiji, terminating the feudal rule of the Tokugawa Shogunate and dissipating the culture of the floating world. Under the emperor, national modernization progressed rapidly. From Western-style clothes and pastimes, to exciting new inventions from overseas, Japan absorbed the massive influx of the foreign and developed a distinctly Japanese modern identity. While photography and lithography gained popularity at this time, the woodblock print continued to serve as a powerful medium. Meiji period artists made sense of a transitioning world with a familiar medium.
140 Products
Gekko
Chapter 11: Falling Flowers (Hanachirusato)
JP-211048
Gekko
Chapter 14: Pilgrimage to Sumiyoshi (Miotsukushi)
JP-211045
Gekko
Chapter 7: Beneath the Autumn Leaves (Momiji no Ga)
JP-211038
Gekko
Chapter 8: Under the Cherry Blossoms (Hana no En)
JP-211035
Gekko
Chapter 45: The Maiden of the Bridge (Hashihime)
JP-211033
Gekko
Chapter 1: The Paulownia Pavilion (Kiritsubo)
JP-211032