Shigemasa (1739 - 1820 )

Shigemasa Kitao was a leading ukiyo-e artist active during the late 18th and early 19th century. Not only a print designer, he was an accomplished painter, calligrapher, illustrator and poet. He is most associated for illustrated books and his bijin-ga (pictures of beautiful women), though he also produced some portraits of kabuki actors. Shigemasa was an influential teacher in the legacy of ukiyo-e whose students include Masanobu Kitao, Masayoshi Kitao, and Shunman Kubo.

Born to a family of booksellers and publishers in Edo's Nihonbashi district, Shigemasa may have studied with Shigenaga Nishimura, but was largely self-taught. His earliest works take the form of benizuri-e, printed in two to three colors in the hosoban size. While the influence of Harunobu is clear in the Shigemasa's female figures, scholars suggest that Shigemasa imbues faces with greater expression and a hint of the realism. Shigemasa was a prolific illustrator. His oeuvre of illustrated books numbers well over 200, ranging from albums of kacho-e (bird-and-flower pictures) to shunga (erotic prints). Of particular note is the 1776 Mirror of Competing Beauties of the Green Houses, a collaborative project with Shunsho Katsukawa. The three-volume set shows the courtesans of the Yoshiwara not with customers, but on their own time, engaged in pastimes. Over the course of his career, Shigemasa used as many as fourteen different go (artist names), however, many of his prints are unsigned.

Japanese Woodblock Prints (1600 - 1800)

Early ukiyo-e, or pictures (e) of the floating world (ukiyo), emerged around 1660 with monochrome prints. The masters of this “primitive” period, such as Moronobu and Masanobu, are known for their elegant and vital lines. By 1700, the first early color prints emerged. Hand-colored with vegetable-based pigments, this process proved costly and was replaced by full-color printing in 1765. Known as the father of color printing, Harunobu ushered in the era of nishiki-e, or brocade pictures, with sensitivity and subtlety. The late 18th century welcomed a “golden age” of ukiyo-e, during which time artists developed the use of color and diversified their approach to subject matter. Sharaku imbued his actor portraits with a greater sense of individualism, while Utamaro delved deeper into the “greenhouses” of the Yoshiwara, considering the private lives of courtesans. Browse our collection of early ukiyo-e below.

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Price

2565880

Artist

  • Buncho
  • Eiri
  • Eishi
  • Eisho
  • Harunobu
  • Hokusai
  • Kiyomitsu
  • Kiyonaga
  • Kiyotsune
  • Koryusai
  • Masanobu
  • Masayoshi
  • Morikuni
  • Moronobu
  • Sharaku
  • Shigemasa
  • Shuncho
  • Shundo
  • Shunei
  • Shunjo
  • Shunko
  • Shunman
  • Shunsho
  • Sukenobu
  • Toyokuni I
  • Utamaro
  • Unsigned / Unknown Artist

Subject

  • Calligraphy
  • Manga & Bookplates
  • Poets & Scholars

Period

  • 1600 - 1800 (Early Edo)

Medium

  • Ehon
  • Woodblock Print

Size

  • Small (ie. Chuban)

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Filtered By: Shigemasa
Selected Chinese Poems in Seven Syllables (Toshisen ehon shichigon zekku) (2 volumes)

Shigemasa

Selected Chinese Poems in Seven Syllables (Toshisen ehon shichigon zekku) (2 volumes)

JPR-211119

$880.00
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The Poet Sugawara Michizane

Shigemasa

The Poet Sugawara Michizane

JP-208686

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