Kuniyoshi (1797 - 1861 )
The son of silk dyer, Kuniyoshi Utagawa was born into the Igusa family in Edo. Little is known about his very early years, though he is said to have shown remarkable talent from a young age. Kuniyoshi began his ukiyo-e career as a pupil of Shunei. At age 14 he was accepted to study the art of woodblock printing under Toyokuni I and, in time, would become one of his most successful students. In 1814, he left Toyokuni’s studio to pursue a career as an independent ukiyo-e artist. Initially, he had little success, selling tatami mats in order to support himself. However, his fortunes changed in 1827 with his dramatic series 108 Heroes of the Suikoden. From that point forward, the public hungered for his portrayals of famous samurai and legendary heroes. Kuniyoshi Utagawa worked across all genres, producing some brilliant landscapes and charming bijin-ga (pictures of beautiful women). He died in the spring of 1861 from complications of a stroke.
In direct contrast to the peaceful views of a scenic Japan provided by Hiroshige and Hokusai, the following decades saw a rise of the fierce, fearsome and fantastical in ukiyo-e. Kuniyoshi welcomed this changing public taste. He had a ravenous imagination and the full scope of his work reveals an aesthetic sensibility capable of capturing almost any experience. No doubt, however, his particular genius felt most at home in the world of martial glory, where epic battles decided the fate of empires and fierce warriors clashed to the death. Kuniyoshi's Japanese ukiyo-e woodblock prints were so popular in his time that he received requests for tattoo designs.
Ukiyo-e | Japanese Woodblock Prints | Ronin Gallery
Explore the largest collection of 17th-19th century original Japanese woodblock prints in the United States at Ronin Gallery. Ukiyo-e, or “pictures of the floating world,” captured the exciting urban popular culture of the Edo period (1603-1868), promoting its beauty, fashions and heroes. While the Buddhist term ukiyo originally emphasized the transitory nature of human life, during the 17th century the term gradually shifted its reference to the ephemeral world of pleasure and indulgence. From 17th century Buddhist woodcuts through 19th century Japanese ukiyo-e print masters, enter a vibrant world of enchanting landscapes and sublime nature studies by Hokusai and Hiroshige, dramatic kabuki actors by Sharaku and Toyokuni, fierce samurai by Kuniyoshi, and elegant beauties by Utamaro. With the ravages of time, war and fire, today few of these precious original Japanese woodblock prints survive outside of museums and important private collections.
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Kuniyoshi
Nakamura Utaemon IV as Fortune Teller Sangokuken
JPR-209081
Kuniyoshi
Scene from the Kabuki Play Ichinotani Mushae no Iezuto
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The Battle at the Eastern Temple, Rokuhara
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The Last Stand of the Kusunoki Clan at Shijo Nawate
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Raiko Severing the Head of the Shutendoji at Mt. Oe
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Courtesan Nanaoka of the Sugata-ebi House, 1 Chome, Kyomachi
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Warabi: Inuyama Dosetsu Seated Amid Flames with Magic Pine in His Mouth
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Portrait of Daruma by Kabuki Actor Nakamura Utaemon IV
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Characters of The Tale of the Soga Brothers in the Guise of the Seven Lucky Gods
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Kabuki Actor Nakamura Shikan II as Shiratayu in Farewell Perfomance in the 9th Month of 1833
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Kabuki Actor Ichimura Uzaemon XII as Doguya Jinzo
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