Bairei (1844 - 1895 )
Bairei Kono was born and worked in Kyoto, where he began his career as a painter. In his youth, he studied Maruyama-style painting under Nakajima Raisho, before shifting to the Shijo-school and the tutelage of Shiokawa Bunrin in his twenties. He also studied with several Nanga-school artists throughout his early career. Bairei was a well-known figure in the Kyoto art scene and played a critical role in the founding of the Kyoto Prefectural School of Painting. In 1881, he opened his own studio and began to take on students.
Bairei Kono is best recognized for his illustrated books and kacho-e, or bird-and-flower prints. In 1883, he released his most popular work, Bairei kacho gafu (Bairei’s Album of Flowers and Birds). This album considers pairs of birds and flowers throughout the four seasons. Like many of his fellow Meiji-period artists, Bairei incorporates some aspects of Western art in his work, yet retains a fidelity to the spirit of the woodblock print medium. In 1893, Bairei Kono’s critical and commercial success was honored with his appointment to the Art Committee of the Imperial Household. Ronin Gallery is proud to feature many Bairei Kono paintings for sale.
Ukiyo-e | Japanese Woodblock Prints | Ronin Gallery
Explore the largest collection of 17th-19th century original Japanese woodblock prints in the United States at Ronin Gallery. Ukiyo-e, or “pictures of the floating world,” captured the exciting urban popular culture of the Edo period (1603-1868), promoting its beauty, fashions and heroes. While the Buddhist term ukiyo originally emphasized the transitory nature of human life, during the 17th century the term gradually shifted its reference to the ephemeral world of pleasure and indulgence. From 17th century Buddhist woodcuts through 19th century Japanese ukiyo-e print masters, enter a vibrant world of enchanting landscapes and sublime nature studies by Hokusai and Hiroshige, dramatic kabuki actors by Sharaku and Toyokuni, fierce samurai by Kuniyoshi, and elegant beauties by Utamaro. With the ravages of time, war and fire, today few of these precious original Japanese woodblock prints survive outside of museums and important private collections.
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