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From wild passion and forbidden forays to humorous sexual fumbles and head-scratching acrobatics, the erotic genre of shunga, (lit. "spring pictures") celebrates sensual pleasure in every imaginable form.

Shunga, or "spring pictures," capture a vast spectrum of sensual pleasures. From the passionate reunions of great lovers, to the excitement of clandestine affairs, these erotic prints satisfy a wide range of sexual appetites.

Ronin Gallery is pleased to represent the private collection of the Mori family estate in the exhibition Yoshitoshi Mori (1898–1992). From kappazuri-e and woodblock prints, to the artist’s sketchbook and select original paintings, this exhibition explores the diverse oeuvre of this pivotal member of the Japanese sosaku hanga, or “new print,” movement. Many pieces in this unique collection are one-of-a-kind.

When discussing Japanese woodblock prints, there is one question sure to come up: How many prints were made? While a simple question, the answer is complex.

In honor of our very special Yoshitoshi Mori (1898–1992) exhibition, this week we'd like to focus on kappazuri, an innovative stencil printing technique that straddles the boundary of art and traditional craft.

Before the Great Wave crested white and Red Fuji broke the horizon, Hokusai's petite masterpieces whispered their intricate detail with an enchanting intimacy. Ronin Gallery is pleased to present a collection of these early works, dating between 1790 and 1822.

With the high level of volcanic activity in Japan, it is no surprise that the country boasts many natural hot springs. While there are many options for experiencing onsen culture, we've selected ten of the most popular onsen in Japan today.

Ronin Gallery is proud to have collaborated with the Morikami Museum and Japanese Gardens on their exhibition, Perseverance: Japanese Tattoo Tradition in a Modern World. The exhibition contextualized the Japanese tattoo tradition through the inclusion of ukiyo-e and original works of art by Horiyoshi III.

After our exhibition Taboo: Ukiyo-e and the Japanese Tattoo earlier this year, we at Ronin Gallery are thrilled to see Japan's foremost tattoo artist, Horiyoshi III, featured on VICE.

Ronin Contemporary is pleased to present Ban Hua: Chinese Woodblock Prints Post-1980, an exhibition exploring some of China's most exciting contemporary printmakers. The works on view come both from an important European collection and straight from the studio of the innovative artist Gu Zhijun.

Adapted from the 14th century Chinese classic, Shuihuzhuan (Stories of the Water Margin), the Suikoden resounded with Edo's emergent middle class. While these legendary characters starred on the page and stage, the otokodate brought the rebel warrior to life in the streets.

As literacy soared during the 19th century, Murasaki Shikibu's 11th century classic Tale of Genji enjoyed a renewed popularity. Yet it was not quite Murasaki's shining prince garnering the attention. Instead, the tale got a modern makeover through Ryutei Tanehiko's Nise Murasaki Inaka Genji (A Rustic Genji by a Fraudulent Murasaki).

Hokusai possessed an inherent sense of drama and a flair for public spectacle. Though many of his early works take the delicate, intimate form of surimono (lavish, privately commissioned prints), the following tales reveal the boundless nature of his talents. Whether he painted with a brush, a broom, or rooster talons, Hokusai stunned his audience with his daring.

The series Ink, Banditry and Bushido considers the contentious "champions of the common good." Learn about Edo period firefighters, or hikeshi, today.

In order to curate a stunning collection of Japanese art, one must know how to properly evaluate a print.

The history of photography in Japan begins during the Edo period. Introduced through the Dutch merchants that inhabited Dejima Island in Nagasaki Bay, the medium attracted an initially small, but intrigued audience. Following the Meiji Restoration, the popularity of photography surpassed that of woodblock prints.

From fierce samurai to legendary heroes, musha-e celebrate the Japanese warrior. Translating to "warrior pictures," this genre of ukiyo-e is marked by consistent fluidity between fact and fiction, truth and fable. As they conflate history, legend, literature and theater, these prints offer fantastic renderings of familiar characters from Japanese culture.

Taboo: Ukiyo-e and the Japanese Tattoo explores the verboten world of irezumi (Japanese tattoo) across history and medium. The works of ukiyo-e masters Kuniyoshi, Yoshitoshi, Kunisada and Kunichika celebrate the world of tattoo during the Edo and Meiji periods, while the original paintings and drawings of the acclaimed master of tebori and tattoo art, Horiyoshi III, offers a current interpretation of the centuries-old tradition.