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Wrestling the Demon: Noriko and Ushio Shinohara explores decades of printmaking within two storied careers—Noriko and Ushio Shinohara.

In the 1960s, Ushio established himself as the enfant terrible of the Japanese art scene, where he gained particular notoriety for his boxing paintings. Ushio has been featured in many solo and group exhibitions worldwide, including the National Museum of Modern Art Tokyo, National Museum of Modern Art Kyoto, Museum of Modern Art New York, and the Japan Society New York, to name just a few.

Noriko Shinohara's work brings together boldness of color, line, and persistent humor. Instilling her work with irony and poignancy, her contemporary scenes draw inspiration from a variety of art styles across time and culture. Born in Toyama Prefecture, Japan in 1953, Noriko Shinohara moved to New York City in 1972 to study at the Art Students League.

If woodblock prints were produced in multiple, how can a print be rare? From natural disasters to the damage of use, the woodblock prints that exist today have beat the odds. With this in mind, all existing woodblock prints are rare. Yet, there are certain combinations of artist, printing technique, design, and condition that set certain impressions apart from the rest. We look to the collection for several examples of true rarity.

From unique woodblock prints to vivacious ink paintings, the second annual Contemporary Talents of Japan exhibition explores Japan's diverse artistic vanguard. Featuring Katsutoshi Yuasa, the 2017 winner of the Ronin|Globus Artist-in-Residence Program, this exhibition considers an enduring aesthetic in the contemporary imagination.

Winding along the eastern coast of Japan, the Tokaido was the most traveled road of the Edo period. Cutting across rivers and mountains, this artery pulsed with folklore, politics, artistic inspiration, and insatiable zeal for adventure.

Munakata and the Disciples of Buddha invites you to experience the woodblock prints of Shiko Munakata (1903–1975) and to discover the Buddhist roots of Japanese woodblock printing. Culminating in his iconic series Ten Great Disciples of the Buddha, this exhibition explores the vital interplay of artistic tradition and religious practice behind Munakata’s groundbreaking work.

While often translated to "cute," in English, this translation of kawaii is a misnomer. So what exactly is kawaii? Where did this idea originate? Kawaii is an influential and subversive culture in dialogue with centuries of Japanese popular culture. For artist Sebastian Masuda, the kawaii spirit is akin to that of the punk or hippie movement, a rebellion against the norms and standards of mainstream culture.

In his second New York exhibition, Sebastian Masuda invites his viewer to trade the grayscale of daily life for a movingly vibrant spectrum of color. Through dynamic multimedia collages, this truly immersive exhibition extols Masuda's message of "colorful rebellion" against the gray, dark, and disharmony of the world.

As a master of the landscape print, Hiroshige captures Edo-period Japan through series such as One Hundred Famous Views of Edo and Famous Views of the 60-Odd Provinces. How have these famous places fared as destinations in the 21st century? Looking to four prints from the exhibition Hiroshige's Landscapes, let's check in.

As summer days cool and the sweet smell of turning leaves fills the air, autumn is undoubtedly upon us. While spring in Japan brings the delicate pink of the cherry blossoms, autumn bursts into a kaleidoscope of brilliant reds, oranges, and yellows. Such stunning natural beauty is celebrated with momijigari.

How many of the traits that traditionally depreciate a print's value actually preserved the work's overall value?

From masterworks of ukiyo-e, to Toulouse-Lautrec's large-scale posters and Le Café Concert set, the exhibition Demimonde: The Floating World and Toulouse-Lautrec invites you to explore the parallel demimondes of fin-de-siècle Paris and Edo-period Japan.

For this closer look, we'll turn our attention to Yoshitoshi's "Moon Above the Sea at Daimotsu Bay" (1886) from the famed series One Hundred Views of the Moon.

In the early 20th century, two distinct modern Japanese print movements emerged. The Sosaku Hanga movement honed in on the artist and the process of making. The knife, the ink, the block, the paper—each material was integral to the artist's experience. This emphasis on the individual and artistic autonomy matured throughout the movement and continues to course throughout the Japanese printmaking community today.

While ukiyo-e were printed in a variety of sizes, each format adhered to a standardized sizing system shaped by both technical and social factors. This determination begins with two of the primary materials of woodblock printing: the woodblock and the paper.

Over the past decade, the influence of Japanese photography has swept the art market. This thriving market focuses on post-war photographers, largely active between the late 1950s and the 1970s. The avant-garde group working during these years tore away from the dominant journalistic tradition of Japanese photography to create raw, subjective images of the world around them.

Held in conjunction with the inaugural Ronin|Globus Artist-in-Residence Program, the exhibition The Great Wave: Images to Support Japan Society's Japan Earthquake Relief Fund spans a wide range of media and mindsets. Featuring Keisuke "OZ" Yamaguchi, this exhibition presents diverse reactions to defining moments in contemporary life: Japan's recent earthquakes and the 2011 Tohoku earthquake and tsunami.