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Kuniyoshi (1797-1861)

Musashibo Benkei and Minamoto no Ushiwakamaru on Gojo Bridge

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Kuniyoshi (1797-1861)
Musashibo Benkei and Minamoto no Ushiwakamaru on Gojo Bridge
Woodblock Print
c. 1840
14.5" x 19.5"
Ichiyusai Kuniyoshi ga
Very good color, impression and state, wood grain visible.

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About the art

Printed roughly five years after the sprawling triptych of Gojo Bridge, this design returns to the fateful meeting of Minamoto no Yoshitsune (here referred to as Minamoto no Ushiwakamaru) and Musashibo Benkei. The pair battle at the edge of Kyoto’s Gojo Bridge, making contact right along the center line of the diptych. As Benkei attempts to steal his 1000th sword from an unsuspecting traveler, he is bested by the young Yoshitsune and soon becomes Yoshitsune’s most loyal follower.

About the artist

The son of silk dyer, Kuniyoshi Utagawa was born into the Igusa family in Edo. Little is known about his very early years, though he is said to have shown remarkable talent from a young age. Kuniyoshi began his ukiyo-e career as a pupil of Shunei. At age 14 he was accepted to study the art of woodblock printing under Toyokuni I and, in time, would become one of his most successful students. In 1814, he left Toyokuni’s studio to pursue a career as an independent Japanese ukiyo-e artist. Initially, he had little success, selling tatami mats in order to support himself. However, his fortunes changed in 1827 with his dramatic series 108 Heroes of the Suikoden. From that point on, the public hungered for his portrayals of famous samurai and legendary heroes. Kuniyoshi worked in all genres, producing some brilliant landscapes and charming bijin-ga (pictures of beautiful women). He died in the spring of 1861 from complications of a stroke.


In direct contrast to the peaceful views of a scenic Japan provided by Hiroshige and Hokusai, the following decades saw a rise of the fierce, fearsome and fantastical in ukiyo-e. Kuniyoshi welcomed this changing public taste. He had a ravenous imagination and the full scope of his work reveals an aesthetic sensibility capable of assimilating almost any experience. No doubt, however, his particular genius felt most at home in the world of martial glory, where epic battles decided the fate of empires and fierce warriors clashed to the death. Utagawa Kuniyoshi's prints were so popular in his time that he received requests for tattoo designs.

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