The model for this print was Tsuru, a waitress from Osaka and one of Goyō’s favorite models. Tsuru is shown sitting on a cushion in front of a mirror. She is clothed in a diaphanous summer kimono and the form of her body is visible through her garment. With Tsuru’s direct gaze and the transparent draping of the kimono, this is perhaps one of Goyō’s most sensual prints. This lifetime print was engraved by Masazo Koike. and printed by Seizaburo Akimoto.
Goyo Hashiguchi (né Kiyoshi Hashiguchi) was born in Kagoshima to Kanemitsu Hashiguchi, a Shijo-style painter. Goyo began his career in Kano painting at age 10, moving to Tokyo in 1899 to study with the leading painter Gaho Hashimoto. He soon shifted to Western-style painting under Seiki Kuroda at the Tokyo School of Fine Arts, where he graduated at the top of his class in 1905. Shortly thereafter, the prominent Shin Hanga publisher Shozaburo Watanabe convinced him to try his hand at printmaking. Watanabe published Goyo’s first woodblock print, Nude After Bathing in 1915. Goyo’s sensitive portrayal of women in a delicate, serene and infinitely graceful mode led to his immediate popularity.
Unlike many Shin Hanga artists, Goyo established his own workshop. His standards were so high that he rarely allowed his editions to run more than eighty prints. This decision resulted in some of the most technically superb woodblock prints to be produced since the late 18th century. On February 24, 1921, Goyo died from an ear infection, the aftermath of a severe case of influenza. Goyo’s entire artistic career spanned 15 short years, of which only the last five were spent producing prints. He completed a total of 14 prints. At his death, Goyo left many works in various stages of completion. Members of his family completed these designs following his death.