Goyo Hashiguchi (1880-1921)

Sanjo Bridge in Kyoto

Roll On image to Zoom in
Goyo Hashiguchi (1880-1921)
Sanjo Bridge in Kyoto
Woodblock Print
January 1920
17.3" x 10.9"
Goyo ga


Authenticity Guaranteed

Learn more

Worldwide Shipping

Learn more

Questions about this piece? 212.688.0188


Hashiguchi Goyo

About the art

From across the Kamo River, snow falls steadily and blankets the city and the mountains that border Kyoto. The bridge cuts across, leading us into the city. The clear blue color of the river strikes a strong contrast to the white of the rest of the scene. Goyō’s use of a simple color palette gives the print a sense of clarity and elegance, and allows viewers to savor the details in the print without being distracted by color.  This print was completed by Goyō during his lifetime.  It was designed for Edo-e Kanshokai members.  Reverse seals: Goyo Hanga Kenkyujo, Sample #1, Hashiguchi Collection

About the artist

Japanese artist Goyo Hashiguchi (né Kiyoshi Hashiguchi) was born in Kagoshima to Kanemitsu Hashiguchi, a samurai and a Shijo-style painter. It is said that the five-needle pine (goyo no matsu) in his father’s garden inspired Goyo’s artist name. He began his career in Kano painting at age 10, moving to Tokyo in 1899 to study with the leading Kano painter Gaho Hashimoto. He soon shifted to Western-style painting under Seiki Kuroda at the Tokyo School of Fine Arts, graduating at the top of his class in 1905. Shortly thereafter, the prominent Tokyo woodblock print publisher Watanabe convinced him to become a Japanese woodblock artist. Watanabe published Goyo’s first woodblock print, Nude After Bathing in 1915. His sensitive portrayal of women in a delicate, serene and infinitely graceful mode led to his immediate popularity. This mastery of line and composition is equally apparent in his tender drawings. These drawings are extremely scarce.


Goyo Hashiguchi, an active perfectionist, was not satisfied with Watanabe’s workmanship and consequently set up his own workshop. As a Japanese woodblock artist, his standards were so high that he rarely allowed his editions to run more than eighty prints. This decision resulted in some of the most technically superb woodblock prints to be produced since the late 18th century.


On February 24, 1921, Goyo died from an ear infection, the aftermath of a severe case of influenza. His death at so early an age was a tragedy to the art world. Goyo’s entire artistic career spanned 15 short years, of which only the last five were as a Japanese woodblock artist. He completed only 14 prints. At his death, Goyo left many works in various stages of completion. Some were all but finished, with full-color proofs already completed; for others, the key block impressions had been taken, and still others had barely progressed beyond the preliminary sketches. Members of Goyo’s family brought these unfinished materials to fruition.

"We use cookies to gather web statistics, remember your settings and target ads. Read more about how we use cookies in our Cookie Policy or close tab now."