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Eizan (1787 - 1867)

The Courtesan Hanamurasaki of Tamaya House

Medium: Woodblock Print
Date: 1809
Size (H x W): 14.35 x 9.5 (inches)
Publisher: Ezakiya Kichibei (Tenjudo)
Seals: Kiwame, date
Provenance: Sokolov Collection
Signature: Kikukawa Eizan hitsu
Condition: Good color and impression, light surface soiling, lightly trimmed on left edge, small tape on the reverse.

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The names of Hanamurasaki's kamuro, Hanano and Sakino, are listed in hiragana.

About the artist

A native of Edo, Eizan Kikukawa was born as Toshinobu Omiya in 1787. He began his artistic career studying with his father Eiji Kikukawa, a Kano painter and fan maker, before pursuing printmaking under Hokkei, a pupil of Hokusai. From the start of the 19th century to his retirement, Eizan was leading artist of bijin-ga (pictures of beautiful women) and shunga (erotic prints). He is considered the founder of the Kikukawa style. After 1830, he worked almost exclusively as a painter until his death in 1867.


Eizan admired and followed in the footsteps of Utamaro, despite the fact that he never trained with him. Working primarily in the genre of bijin-ga, Eizan captures beautiful women with sensibility and lyricism, imbuing them with an elegance and graceful classicality. Though the increased demand for ukiyo-e during the early 19th century caused some artists to rush their designs, Eizan Kikukawa resisted this pressure, maintaining impeccable design skills throughout his career.