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Harunobu (1724 - 1770)

Kayoi Komachi

Series: Furyu Nana Komachi
Medium: Woodblock Print
Date: c. 1765
Size (H x W): 27.5 x 4.75 (inches)
Provenance: Beres
Signature: Harunobu ga
Conditon: Good color and impression, light surface soiling and faint creasing.
$17,000.00

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Description

Other impressions of this print can be found illustrated in Pins, The Japanese Pillar Print, #144, and in the collection of the Metropolitan Museum of Art, New York.

About the artist

While little is known about his early life, Harunobu Suzuki (né Hozumi) was a ukiyo-e artist that lived and worked in Edo. Said to have been the student of Shigenaga, Harunobu’s early actor prints suggest the strong influence of Toyonobu, Sukenobu and the Torii school. Though he began his print career with actor prints, Harunobu's later prints focused on young girls and the tantalizing courtesans of Edo. In the spring of 1765, Edo saw the first nishiki-e (full-color prints). Commissioned by wealthy patrons, the first full-color prints took the form of egoyomi (calendar prints). Intricate and lavish, these private Harunobu prints were soon released in separate, public editions through publishers and booksellers. Harunobu used nishiki-e to capture the urban, everyday world of Edo in brilliant color. He is considered a true luminary of ukiyo-e, a talent beyond compare. He produced over 500 printed works, as well as many paintings, before his death in 1770. From shunga (erotic prints) to classical poems, he is a master of color. Harunobu’s genius is particularly apparent in his depictions of young, innocent women. Presenting a delicate, youthful vision of idealized femininity, he is a ukiyo-e artist that influenced many artists to come.